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Chad Jones has been covering theater in the Bay Area since 1992. He was the theater critic for the Oakland Tribune, Tri-Valley Herald and the San Mateo County Times. His work has appeared in the San Francisco Chronicle and Theatre Bay Area magazine and he is the author of Web site, Chad Jones' Theater Dogs.


 
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Top 10 reasons to see ACT's `A Christmas Carol'

December 11, 11:05 AM
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Ken Ruta appears as the Ghost of
JacobMarley in ACT's production
of "AChristmas Carol."
Photo by Kevin Berne
 

 

American Conservatory Theater's annual production of "A Christmas Carol" is in full swing in downtown San Francisco. Rather than reviewing this holiday perennial, let's just hit some of the major points. Herewith, in descending order, some reasons to see the show.

10. Before and after the show you get to wander around the festive Union Square area, which, despite the general mood of the nation, is rich with decoration and holiday cheer. The ice rink in Union Square, just under the enormous, beautifully decorated tree, is especially nice.

9. The special effects, especially where the ghosts are concerned, are marvelous. The first appearance by Jacob Marley's ghost is a doozy, and the giant Ghost of Christmas Future is creepy in all the right ways (young audience members should probably be at least 4 years old to see this show).

8. During the Fezziwig's ball, choreographer Val Caniparoli goes to town with the joyous dancing. His moves for the children are especially charming.

7. Speaking of children, the youngest members of the cast are wonderful. Their enthusiasm is contagious. Noah Pawl Silverman St. John is a notable Boy Scrooge, and Lauren Safier is a whirlwind of affection as his sister, Little Fan.

6. The not-so-enjoyable aspects of the production (the sketchy set, the wan music) are trumped by the better aspects of the show and by the story itself. That Charles Dickens knew a thing or two about entertaining while moralizing.

5. Nicholas Pelczar adds a welcome jolt of real holiday feeling as Scrooge's nephew, Fred. His unfurling of a red scarf as a gift for old Ebenezer is one of the show's simplest yet most enduring images.

4. The costumes by Beaver Bauer are gorgeous and funny (see No. 3). The colors, textures and patterns swirl around the stage like a confectioner's dream.

3. The dancing Spanish Onions (Isabella Ateshian and Ella Ruth Francis), Turkish Figs (Rachel Share-Sapolsky and Kira Yaffe) and French Plums (Megan Apple and Megumi Nakamura) bring a whole lot of charm to the Ghost of Christmas Present's dissertation on abundance.

2. Some great Bay Area actors sink their considerable chops into delicious supporting roles. Ken Ruta as the ghost of Jacob Marley is a delight, as is Sharon Lockwood as Scrooge's char woman, Mrs. Dilber, and as the festive Mrs. Fezziwig. Jarion Monroe, in a curly red wig, is adorable as Mr. Fezziwig, and Cindy Goldfield and Stephen Barker Turner are warm and fuzzy as the Cratchits, impoverished only in economic terms.

1. James Carpenter's performance as Scrooge is reason enough to see this production. He's a brilliant actor and breathes life into this chestnut of a character. The production surrounding him isn't always up to his level, but he lifts the entire experience to an appropriately Dickensian level.

For more info: "A Christmas Carol" continues through Dec. 27 at the American Conservatory Theater, 415 Geary St., San Francisco. Tickets are $18-$102. Call 415-479-2ACT or visit www.act-sf.org

 

Author: Chad Jones
Chad Jones is an Examiner from San Francisco. You can see Chad's articles on Chad's Home Page.
Find out more about Chad:
Chad Jones has been covering theater in the Bay Area since 1992. He was the theater critic for the Oakland Tribune, Tri-Valley Herald and the San Mateo County Times. His work has appeared in the San Francisco Chronicle and Theatre Bay Area magazine and he is the author of Web site, Chad Jones' Theater Dogs.
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