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“Tuna Does Vegas,” the fourth installment in the “Greater Tuna” comedies, onstage at San Francisco’s Curran Theatre, finds busy actors Joe Sears and Jaston Williams as appealing, endearing and adept as when they began nearly 30 years ago.
Once again, the fellas play all of the show’s characters, from old favorites Arlis Strivie (Williams) and his wife Bertha Bumiller (Sears) to Sin City hotel manager Anna Conda (Williams) and security officer Shot (Sears).
The consistently funny dialogue — the majority of the jokes hit — is what makes “Vegas” such a treat.
But equally invigorating, as in all of the “Tuna” plays, is the pleasure the audience counts on anticipating when one of the actors exits the stage — for it will be only a matter of seconds before he’ll be back front and center, wearing another adorable, crazy or hysterical getup.
Linda Fisher’s spot-on costumes — from Bertha’s hot pink-and-chartreuse pantsuit to a couple of glitzy Elvis impersonator jumpsuits — look fantastic on Williams and Sears, truly masters of the quick change.
The plot revolves around Arlis and Bertha’s vacation to Vegas, where they plan to renew their wedding vows. How most of their fellow Tuna citizens decide to join them comprises the first act: Aunt Pearl (Sears) wants to go to witness the blessed event, animal activist Petey Fisk (Williams) wants to save the mistreated critters there, Vera Carp (Williams) wants to continue her campaign against smut and Tastee Kreme waitresses Inita (Sears) and Helen (Williams) simply want to get away from it all.
Act 2 follows their adventures there, not on the Strip, but in the Hula Chateau hotel downtown.
That “Tuna Does Vegas” isn’t primarily set in Nevada points to its main appeal: the humanity, and universality, of its delightful population. Sears, Williams and their director/co-writer Ed Howard have demonstrated yet again what makes enduring popular entertainment: “Greater Tuna” doesn’t simply skewer its small-town characters and attitudes; it’s a valentine to them.
IF YOU GO
Tuna Does Vegas
Where: Curran Theatre, 445 Geary St., San Francisco
When: 7:30 p.m. Tuesday-Saturday; 2 p.m. Wednesday, Saturday and Sunday; closes June 28
Tickets: $35 to $75
Contact: (415) 512-7770 or www.ticketmaster.com



Comments from Examiner Readers
7:47 AM MST on Sun., May. 25, 2008 re: "‘Cymbaline’ crashes"
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9:07 AM MST on Fri., Apr. 25, 2008
re: "‘Cymbaline’ crashes"
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10:02 PM MST on Thu., Apr. 24, 2008
re: "‘Cymbaline’ crashes"
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1:54 PM MST on Wed., Apr. 23, 2008
re: "‘Cymbaline’ crashes"
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1:46 PM MST on Wed., Apr. 23, 2008
re: "‘Cymbaline’ crashes"
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1:37 PM MST on Wed., Apr. 23, 2008
re: "‘Cymbaline’ crashes"
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6:02 AM MST on Wed., Apr. 23, 2008
re: "‘Cymbaline’ crashes"
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Examiner Reader said:
The fact that the reviewer misspelled the title of the play doesn't change the fact that this was a difficult production to sit through. Give the director kudos for trying something different, but it really did not work.
5 agree | 3 disagree
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Former Examiner Reader said:
My wife and I saw Cymbeline this past weekend and really enjoyed it.
5 agree | 4 disagree
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theatergoer in DC said:
Wow. I saw Cymbeline last week and wouldn't have recognized it from this review. It's always a pity when theater reviewers haven't the attention span to follow, say, theater. You know Cymbeline is Shakespeare from the start of the first act -- who else so perfectly weaves exiled lovers, mistaken identities, and of course, murder and poison -- and far from another staid production enjoyed only by closed-minded fuddy-duddies, I thought the dog and pony production took what admittedly isn't Shakespeare's best work and jazzed it up -- it was a funny and high-energy performance when I was there, and instead of spacing out at a stiff production with overdramatized lines, I was - forbid! - engaged with the storyline and the characters throughout. I hope this review doesn't keep anyone away -- it's definitely not a traditional staging of a Shakespeare play, but given the production I saw, I think that was a selling point.
6 agree | 5 disagree
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Examiner Reader said:
Yeah, it's hard to take seriously a critic who can't even be bothered to look at his program to confirm the spelling of the title of the play. And Shakespeare, no less! No reader in their right mind should voluntarily subject themselves to such shoddy "journalism."
7 agree | 4 disagree
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Examiner Reader said:
Wow...he mispelled it 4 times...if he can't spell, how can he be taken seriously?
5 agree | 4 disagree
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Examiner Reader said:
Wow...I haven't seen this show yet, but have serious doubts about the review when the critic cannot spell the name of the play correctly. Hey! Doug Krentzlin! The play is called Cymbeline! With an E in the middle! Let as many people post on this as possible!
7 agree | 4 disagree
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Examiner Reader said:
The play is actually spelled...Cymbeline...there is no A (assuming we're talking about the one Shakespeare wrote)
6 agree | 3 disagree
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