Legend made visible
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“Lure,” an installation by Beili Liu on display at the San Francisco Chinese Culture Center, illustrates a fable describing how people’s souls are connected.
(Courtesy photo)
“Lure,” an installation by Beili Liu on display at the San Francisco Chinese Culture Center, illustrates a fable describing how people’s souls are connected.

SAN FRANCISCO (Map, News) - The ancient Chinese legend of the Red Thread is about the invisible string connecting lovers “born for each other.”

As time passes, they come closer, and eventually find each other, regardless of the physical distance or social and cultural differences between them initially. (In Western culture, Plato has a similar paradigm of the “two halves” of a couple, fitting together, making a whole.)

A remarkably original art installation by Beili Liu, now open at the San Francisco Chinese Culture Center, illustrates and celebrates the fable.

A focal point of the show is “Lure,” which consists of hundreds of disks made from tightly spiraled red thread. Each disk is connected to another, as a couple, and each pair is made from one thread. An airflow prompts the suspended disks to sway and turn gently like lily pads on water, while the red lines on the ground cross and tangle.

Says Liu: “With a little effort, one can discover the ‘connected couples,’ though the swaying disks have their own ‘moves’ and ‘affairs,’ regardless of the lines and connections beneath.”

Born in China, Liu received her master’s of fine arts degree from the University of Michigan; she is now an assistant professor of art at Eastern Michigan University.

Her shows have been seen in the U.S., Europe and China; her work has received praise from Jay Xu, new director of the San Francisco Asian Art Museum. The exhibit here is presented jointly by the Chinese Culture Center and the Red Clay Art Lovers Club, in association with the Asian Pacific Islander Cultural Center. It is part of the 2008 San Francisco International Arts Festival.

Besides “Lure,” Liu’s installations include such works as glass globes filled with salt, water and carbon powder — as the water evaporates, white salt crystals create fascinating patterns against black carbon traces. Another work consists of tapered salt bricks with salt crystals in the center serving as the source of light projection.

Liu’s Chinese heritage is reflected in an installation called “Di-Da,” which means the sound of water dripping as well as that of a clock ticking (“drip-drip” and “tic-toc” combined). The work consists of glass tubes filled with salt water and vinyl sheets suspended over a 22-foot span. As salt water drips downward on the vinyl sheets, it leaves behind crystal “footprints” where water evaporates.

Liu’s show is the first in the Chinese Culture Center’s planned Xin Rui (“Fresh and Sharp”) exhibition series, featuring the work of emerging Chinese-American contemporary artists.

IF YOU GO

Installation Art by Beili Liu

Where: Chinese Culture Center, Hilton Hotel, third floor, 750 Kearny St., San Francisco

When: 10 a.m. to 4 p.m. Tuesdays through Fridays; closes July 5

Tickets: Free

Contact: (415) 986-1822 or www.c-c-c.org


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11:33 AM MST on Tue., Jul. 15, 2008 re: "China’s vivid subconscious"

Examiner Reader said:
Where's the photo that's with this article in today's paper? I wanted to email it out with the article - ? (Why is there a map instead of the photo? Presumably, if you read the paper, you know where SF is - ?) Best -

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7:36 PM MST on Tue., Jun. 17, 2008 re: "SFMoMA gets up close with ‘Frida Kahlo’"

Examiner Reader said:
LOVE KAHLO! I saw on SFMOMA's website that they've actually extended their hours for this exhibition: until 9:45 p.m. on Thursdays, and 7:45 p.m. Saturdays and Sundays. I'm going this weekend, can't wait!

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10:01 PM MST on Mon., May. 26, 2008 re: "Legend made visible"

sean monohan said:
I thought this show of Beili Liu was fantastic in the truest sense. Thanks for the tip. I think it should get more attention. Sean Monohan

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1:24 PM MST on Mon., Mar. 31, 2008 re: "Art exhibit canned, debate called off"

Examiner Reader said:
In place of the exhibit, the San Francisco Art Institute should post a wall-full of the threatening mail it has received. The animal-killing exhibit sounds inexcusable, but violent threats are also inexcusable, and a display of them may make a similar point about humanity and inhumanity.

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7:51 PM MST on Thu., May. 3, 2007 re: "Puppy love"

emily de la cruz said:
thank u so much

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