Summer festivals ‘Asia After Dark’, ‘Asia Trash’, ‘Soviet Cinema’ at Smithsonian
Let the summer begin at the Smithsonian’s Freer and Sackler Galleries.
The Arthur M. Sackler Gallery launches its new "Asia After Dark" program June 4, an evening of art, dance, and food tastings. The creative fun includes performances by the Silk Road Dance Company, food samplings from local Asian restaurants Mie N Yu and Johnny’s Kabob, Persian electronic music by DJ Delbar of RadioJavan.com, and tours of the Sackler's exhibitions.
"Asia After Dark", from 6:30-11:30 pm, is a ticketed event for individuals over 21. Tickets, which include one free drink, can be purchased at the door for $18, cash only. “Asia After Dark” will be presented again on September 3.
The adjoining Freer Gallery of Art offers "Asia Trash", which the Freer terms “the grossest summertime film series” on Thursdays from July 30-August 20 at 7 p.m. The series celebrates some of Asia's finest cult movies including "Versus" about Yakuza gangsters, zombies, and an escaped convict still shackled to a severed hand. “This film is a must see for connoisseurs of good, trashy fun,” the Freer said in a release.
Summer evenings at the Freer and Sackler will also include a June 6 performance by the China Youth Orchestra, 20 musicians aged from 8 to 18 performing on traditional Chinese instruments.
On June 13 and 20, the galleries will present "The Sensual S: Form and Movement," a workshop led by Daniel Phoenix Singh and members of the Dakshina Dance Company. Participants will interact with Anish Kapoor's steel sculpture, "S-Curve" to explore how scale, shape and form reflect and distort perceptions.
On June 5, the Freer begins a festival “The Riches of Early Soviet Cinema” celebrating the Sackler’s exhibition “The Tsars and the East: Gifts from Turkey and Iran in the Moscow Kremlin”. The festival starts with “Battleship Potemkin” by master filmmaker Sergei Eisenstein.
Accompanying the festivals, on June 6 the Freer opens a new exhibition of paintings by American artist James McNeill Whistler, “The Texture of Night”. This texture, which Whistler termed “Nocturnes”, applied to his nearly abstract moonlit landscapes -- his signature contribution to nineteenth-century art.
Whistler created a series of works in which darkness, rather than light, created the visual image. According to the Whistler's mother Anna, one particularly luminous summer evening in 1871 inspired Whistler's first painting of London after dark. During that decade, he produced more than 30 oil paintings with this theme. He explored urban darkness also in Venice and Amsterdam through the use of lithography, watercolor, and above all, etching.
Yes, his most famous painting is popularly known as "Whistler's Mother", actually entitled "Arrangement in Grey and Black No. 1: The Artist's Mother", in the Musée d'Orsay in Paris.
Then, in July and August, the Freer and Sackler’s annual “Made in Hong Kong Film Festival” returns.
For more info: Freer and Sackler Galleries, www.asia. si.edu, on The Mall in Washington, DC. Visitor information.
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