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Dancing Queens

November 29, 9:49 PM
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Everything's bigger in Texas

What squad in pro-football best exemplifies dreams hatched and broken, precision moves and unbending coaches? Hint: They live in Dallas, look hot in blue and white, and have rear ends you could bounce a ZZ Top commemorative coin off of.

Correct answer: The Dallas Cowboys Cheerleaders. Need more proof? Take a look at Dallas Cowboys Cheerleaders: Making the Team, an eight part series now playing on Country Music Television's website after last week's finale. (No spoilers here, or ever, come to think of it.)

At first glance, the show honors standard reality criteria: wrenching try-outs, scrutiny and rigorous semi-finals. But after DCC director, Kelli Finglass and choreographer, Judy Trammell weed out ladies who can't dance or jump into the splits, things get a little more personal.

Via subtle glances, Finglass and Trammell communicate about matters like arranging boobs in unforgiving tops, plumping flat rear ends and how to make the eyes of a "boring looking" girl, "pop." But Finglass and Trammell, both former Dallas Cowboys Cheerleaders, are utterly lovable.

Brunette beauty, Finglass and blonde, perky Trammell represent a dying breed of woman found only in Texas. Manners: impeccable. Accents: slight. Guts:yes. They may get giggly after a few beers, but they do not holler from the tops of mechanical bulls, and their panty hose are rolled neatly in clear plastic boxes. They're up on current events-not just headlines. Call them in a crisis because they'd never tell. And if your belly button is too far apart from your pubic bone-easy to address with a special zipper-they'd break it to you gently.



Sometimes their scrutiny is warranted. After tactfully asking a girl to tone down her "stripper" aesthetic, some very t#!ty bar-esque shots of her surface on MySpace. Facebook featured another hopeful wearing police caution tape-and nothing else. Finglass noted to Trammell, "Maybe they can try out next year."

DCC: Making the Team is not about the girls' specific outcomes-too many "Jordans" to keep track of. Even if you wanted to spoil it by peeking at the new squad photo, your best guess would be, "I think that's the redhead from try-outs." This show is really about Finglass and Trammell reaching into the sky and pulling down that perfect squad, year after year.
 

This means each girl must flatter every last seam of the uniform. She must jump into the splits and pick up choreography quickly (moves that my judgy dancer cousins deem "basic"). Above all else, she must play that storied part, which goes way beyond past appearances in made for TV movies and Love Boat episodes. Ultimately, the most important job Finglass and Trammell have is to transmit everything that they are to the girls, appropriate undergarments and all. 


There was a day when my contemporaries and I would have questioned the DCC's beauty standards. But since their inception in 1972, the culture's water supply has become so saturated with bra cutlets and deoderant for your hoo ha, these ladies actually seem old fashioned.

Despite my cynicism about shots of girls pulling out their wedgies, I did get caught up in Finglass and Trammell pushing the ladies to perfection. I did care who made it. I did cry when a girl had to walk outside and tell her parents, husband and baby that she'd been cut from the team that is "Often imitated, but never duplicated."

Whether you've lived it, secretly dreamed of it or just want to judge it, this show is mesmerizing. Who cares if our motivations differ? Everyone has a dream-even if your belly button is too far from your pubic bone.

Author: Adrienne Gruben
Adrienne Gruben is an Examiner from Los Angeles. You can see Adrienne's articles on Adrienne's Home Page.
Find out more about Adrienne:
Adrienne Gruben reviewed Chariots of Fire in middle school and was hooked. In high school, she and her friends snuck into rock stars' hotels and scored interviews. She now produces and writes about entertainment in LA.
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