
Zombieland has one flaw, and its so minuscule that it's almost not worth mentioning, but for any zombie movie lover it is important. See, it should really be called "Infectedland" as, according to the main character's narration, the flesh eating creatures are infected by a disease which causes a zombie like state and are indeed not actually the walking dead. That's the one flaw. Otherwise Zombieland is a bloody, gorey, funny, over-the-top, zombie slaughtering piece of perfection.
The premise of the film is that America has pretty much been overrun with zombies (we're going to call them that even if it's wrong) after a zombie apocalypse has occurred. Like any good zombie apocalypse there are survivors. Four, in fact. Columbus (Jesse Eisenberg), a nerdy college student; Wichita (Emma Stone), a hard-edged babe; Little Rock (Abigail Breslin), Wichita's little sister; and Tallahassee (Woody Harrelson), a zombie killing, one-liner spouting, badass cowboy. If the setup sounds a little contrived, it is, but it's what the movie does with it that makes it so awesome. The four meet, and after a little controversy decide to head toward an amusement park in California where the girls have fond childhood memories. Zombie killing ensues.
In an immensely smart move, and one more and more zombies films are taking, the film completely glazes over the arrival of the apocalypse and plops right down in the middle of it. The movie runs a blood soaked 80 minutes, and it's the perfect amount of time to run in, kill some zombies, throw out some brilliant jokes and then kill some more zombies. It might be unclear, but there are a lot of dead zombies (not in the redundant way, in the "shot through the head" way) in this movie and they all die in ways too creative to ruin here by mentioning them.
If the screenplay and directing were any sharper it would slice through its own zombie's necks. Normal comedies don't usually make you laugh this hard, let alone ones involving copious amounts of blood and guts. Harrelson's Tallahassee is particularly a joy to watch as he decapitates and dismembers zombies in some of the most creative ways out there. On top of this Columbus's narration and strict set of rules he follows (Rule #2: Double tap all zombies) make for the perfect parody of the classic zombie film. It's refreshing that these four survivors seem to have actually watched a zombie movie in their life and know not to be an idiot, except near the end when they light up an entire theme park like a giant zombie beacon.
They do that, however, in order to remain human (spiritually), and it's that part of the film that really shines through. It's not just blood and guts, but there's a solid storyline with character development and actual human choices, which are often far, far away from movies that involve zombies. Of course no one paid a ticket for that stuff when they came to see a movie called Zombieland so let me reassure you that the film has some of the greatest zombie kills I've ever seen. In fact it's a point of pride for the movie and its characters to come up with the best ways to eliminate zombies, and director Ruben Fleischer's use of slow motion to an epically overused point fits the film perfectly. There's probably more slo-mo shots than 300, but they're gloriously well done or campy.
If none of this has convinced you that Zombieland is worth the price of admission (and rewatching with beer when it comes out on DVD) then let me just throw one more nugget at you. Zombieland contains the greatest cameo put to film since Neil Patrick Harris stole Harold and Kumar's car and started snorting coke after a strippers butt. Go now, and enjoy.
Recent Reviews: Whip It