Search articles from thousands of Examiners
Write for us
Washington DC Arts and Entertainment Photography Examiner
Photography Examiner

Going pro: carry your own equipment if you can

June 8, 4:38 PMPhotography ExaminerAndy Brown
1 comment Print Email RSS Subscribe

Subscribe


Get alerts when there is a new article from the Photography Examiner. Read Examiner.com's terms of use.
Email Address


  Include other special offers from Examiner.com
Terms of Use

All your photography gear in one place
Take responsibility for your photo gear

This is the first of an ongoing series about what it really takes to be a professional photographer.

Imagine for a moment that you're running a photo session. It could be a wedding, a corporate event or even a modeling shoot, but it takes place in multiple locations. You've got an assistant, and you've entrusted him to carry some of your gear. Wrapping up at one location, all you pile into multiple cars, and your assistant takes off in his. You go in yours. When you arrive, for one reason or another, the gear your assistant had doesn't make it. Either he doesn't get there (he wasn't supposed to be part of this second phase of the shoot) or he left it behind. Either way, there's critical lenses and other stuff that you don't have access to for the rest of the day and you can't just stop. You shoot with what you've got, kicking yourself that you can't zoom in a little closer or that you have to change lenses more often because you're missing a spare body.

Think this doesn't happen often? Think again. More phot shoots go awry because of missing equipment than malfunctioning equipment and much of it could be avoided. Had an assistant simply put the gear in your vehicle for transport, whether he makes it or not, you've still got your stuff. Had you double checked the bags as they were loaded, you'd be good to go.

I know, that's why you have a good assistant. The best photography teams I've seen and worked with travel together unless it's unavoidable, so there's no question of equipment or assistant arriving. And if you've got an assistant you trust, you have no worries anyway. But it's better to be safe than sorry, and if you can't get the shots that you and your client want because of missing equipment, it's your reputation.

So, just like you've tweaked your editing workflow, tweak your shooting workflow too. Label your bags and gear, and insist that specific gear goes in specific bags (Gear labeled with a "1" goes in bag 1, etc.). It will actually make your helpers life easier so that they he or she doesn't need to worry about fit or that they're missing something. Tape an inventory to the inside of the bag so that no one misses anything. Make sure it all goes in your vehicle, unless it's your team's personal gear. Never, ever miss a shot because you're missing a lens.

Comments

Name:


Comments:
characters left

NOTE: Do Not Alter These Fields:

Recent Articles

Friday, June 5, 2009
For some people this is an easy choice, always go with the manufacturer who made your SLR. For others, it's not so cut and dry. And while I'd like to …
Wednesday, June 3, 2009
Why does Europe get the cool phones first? Will Apple's iPhone step up to compete in the camera department? The autofocus tracking feature sounds …

Things to see and do

Jeffrey Osborne
22 Nov 2009 - 7 pm
Birchmere
More music »
Francois-Frederic Guy, Pianist
La Maison Francaise (Embassy of France)
Aventura
George Mason University – Patriot Center

Communities I belong to