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Here we go again. Another movie that feels compelled to reassure you right from the start that it is based on true events. Reassure you? Yes,...
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Find out more about William: For over twenty years, William Sternman reviewed movies for Audience magazine, both in print and online, as well as Films in Review, methree.com and movie-vault.com. You can read his earlier reviews (and other writing) at these websites: http://web.archive.org/web/20001028163803/www.audiencemag.com/playback.html http://web.archive.org/web/20001214071500/www.audiencemag.com/reviews.html http://www.angelfire.com/pa/joshua888/Afterglow.html http://www.methree.net/archives/2005/March/sternmanmerchant.html http://www.angelfire.com/pa4/sinuhexxx/ |
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Philadelphia Movie Examiner's Articles
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Writer/director Jane Campion's ode to the Romantic poet John Keats is exquisite. Every scene is beautifully set up and photographed. The costumes and...
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The Philadelphia Movie Examiner has long believed that one of the most valuable contributions that fiction (including movies) makes to our development...
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“Better late than clever” has always been the Philadelphia Movie Examiner’s guiding principle. Having waited forty-five years to see...
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A hurt locker is an updated version of medieval body armor meant to protect American soldiers in Iraq when they try...
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The similarities between the sci-fi movie District 9 and the white-supremacist apartheid regime of the pre-1990s are unmistakable. (There are other,...
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In writer/director Lynn Shelton’s Humpday, two college buddies (Mark Duplass and Joshua Leonard) —both straight, one married...
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The Philadelphia Movie Examiner just saw the original “spaghetti Western,” Sergio Leone’s 1964 Per un pugno di dollari (aka A...
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Julia Child was such a bigger-than-life, idiosyncratic personality that it would have been easy for writer/director...
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