RSS
Home
Auditioning 101
Print
Email
RSS
Subscribe
Photo courtesy of Getty Images
The process for auditioning can be nerve-wracking and hectic, whether the show is a comedy at your local community theatre or a big budget professionally produced musical. What's more, that process is just as difficult for the auditioning director and staff as it is for the dozens of hopefuls striving to earn a handful of roles.
If you're interested in getting on stage, even without previous experience (talent is as much a factor as technique), there's no reason you shouldn't try. There are some things to keep in mind, however, and I'll share some of those with you now.
Part 1: Before the audition
Songs & Monologues: It is important that you select appropriate pieces for the play you're auditioning for. Research the play online or at your local library to determine its style. It's a good idea to have several songs and perhaps even three or more monologues prepared. While many companies audition strictly without prepared monologues, the practice you'll get by learning and polishing them can be of immeasurable value in keeping those acting muscles warmed up. As for musical pieces, try to select songs that show dynamic range of both voice and style, and bring a CD or even a tape unless you know for sure that an accompanist will be there.
Dress the part: That's the part of a professional performer, not a character. While you may well have a part in mind, the auditioning director might have a very different idea and the hero's clothes could prove a shot in the foot if he or she might otherwise see you as the villain. Keep your clothing choices simple and professional. Suits and dresses are rarely called for, but a clean, classical look can benefit you. Avoid logos and patterns overall, and wear simple shoes, or those you know will be appropriate to the performance. Many folks recommend basic black from head to toe.
Appointments and RSVPs: If there is contact information posted with the audition announcement, it might be wise to drop a note or make a call to let the company know you'll be there, showing a certain level of professionalism that is appreciated in any porduction. If you have recieved a direct invitation (to a closed audition, say), be sure to RSVP.
Part 2: At the Audition
Try to arrive about 10 minutes early to the audtion and sign in at once, being sure to be both legible and accurate. If you have a headshot, ask whether you could staple it to the audition form and do that paperwork at once. Be sure to list any skill that might help as some companies depend on the cast as well as the crew to get the set up and help with marketing and promotions. Also let the staff know if you have music or a CD for a song.
Also, look at the show schedule if one is available. It helps to communicate any conflicts with rehearsals as soon as possible.
Be courteous, friendly and professional with the crew and other auditioners in the waiting room. Some auditions are tense and quiet, but most a friendly affairs where old friends and associates bump into each other. You might also take time to go over your monologues.
You may also be given sides, which are scenes cut from the play to get an idea of how you will portry a role, and how the auditioners will act and look together. Chemistry and appearance are big factors in this, as the casting director needs to see how the players will react to each other and look together on stage. If you get the chance, offer to go over the sides with others in your group.
When called to the audition room, be ready. Go in at once, introduce yourself and your monologue, and dive straight into it. Avoid the use of props, but otherwise give it your all. The energy and insight you show the casting director may be all he knows about you. Answer any question in a concise and amiable way, and be sure to thank him or her for seeing you on your way out.
It's a good idea to linger about a few minutes, say 10 to 20, after you've been seen, in case the casting director wants to call you back for any reason. After that, check with the staff in the waiting room, and go ahead home.
At no time should you suggest to anyone, staff, crew or fellow actor, that you think you're perfect for a part, or that you're the best talent in the room. This may sound obvious, but actors are notorious for their arrogance, after all.
Part 3: After the Audition
Go about your business. Do not contact the company until they have contacted you. If you are offered a part (any part), accept it graciously and thank them for giving you the chance to take part in their production.
If you don't get a part, thank them anyway. Rejection is hard in any arena, but realize that you were one of many auditioning for only a few parts. Casting directors have a great deal to consider when choosing a cast for any live production. It is rarely personal, and may not reflect your acting ability at all. After all, your nose might be too pretty for a witch, or you may be too young, too skinny or too graceful for a certain role.
Keeping these tips in mind won't guarantee you a part, but it will make the process easier on you and the staff. The last thing to note is that auditioning should be fun. Whether you're pro or amatuer, theatre is a joyous and exciting vocation: enjoy it!
Related Articles:
Comments
