Tim Niland is a lifelong jazz and blues fan, who
began blogging about music five years ago. In real life, he is a
public librarian living in New Jersey.
Gracing the cover of this month's Downbeat Magazine (with fellow heavyweights Jason Moran and Matthew Shipp), Vijay Iyer is fast becoming one of the leading composers and pianists on the contemporary jazz scene. Coming hard on the heels of his excellent collaborative album Door with the group Fieldwork, Iyer's new solo album finds him supported by frequent compatriot Rudresh Mahanthappa on alto saxophone, Stephan Crump on bass and Marcus Gilmore on drums. Iyer and Mahanthappa have had a wonderful musical relationship for years and that knowledge of each other's musical worldviews make for some of the many highlights on this disc.
"The Weight of Things" open the disc at a ominous pace, living up to it's title by slowly building atmospheric momentum at a dark and heavy pace. "Macaca Please" kicks things into gear with rumbling piano supporting a pinched and nasal sounding alto saxophone solo taken very rapidly. The band really works well together at this breakneck speed, with everybody clicking on all cylinders. Mahanthappa has a unique voice on the horn and is easily distinguished among the litany of altoists. "Aftermath" follows this with a calmer, but still reaching improvisation, sort of following with a period of calm after the storm. Mahanthappa sits out on "Comin' Up" which is a trio improvisation allowing for all three musicians to shine, particularly Crump whose bass is the bass is the heartbeat of the performance.
These are just a few examples from a fine album of far reaching modern jazz. Anyone interested in hearing clues to the future direction of the music would do well to listen to the fine music these men are creating.
Topics:
jazz ,
vijayiyer
This two CD set brings together some very intense and transitional music recorded by John Coltrane in 1965. This was a fascinating period in his career, as his longtime quartet with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums... Read More Topics:
jazz ,
johncoltrane
For blues fans, the Juke or in this case Jook Joint has taken on the mystical place of a temple, where the Word of the blues is passed down from the musician-priests to the eager supplicants, who contort and speak in tongues on the dance floor. This... Read More Topics:
blues ,
variousartists
“Big” John Patton never quite achieved the fame of fellow organists Jimmy Smith or Brother Jack McDuff, but he was a potent and soulful force on the instrument in the 1960’s, cutting some well received albums for Blue Note before drifting... Read More Topics:
jazz ,
bigjohnpatton
Anthemic sounding rock 'n' roll with the "big" sound like Bruce Springsteen, Arcade Fire, et. al. The character studies are quite interesting, almost beat like in their studies of the underside of American youth. Musicians running from the... Read More Topics:
rockandroll ,
theholdsteady
Watermelon Slim and the Workers play the straight-up workingman's blues, for people who walk the hard road every day and are trying to make ends meet. Slim has been a soldier, truck driver and everything in between, and their latest album continues their... Read More Topics:
blues ,
watermelonslim
Like many of the legends of the blues, guitarist Earl Hooker moved to Chicago in the post-war years from his birthplace of Mississippi. Earning a place for himself in the pantheon with his unique slide guitar and his aversion to singing, Hooker never... Read More Topics:
blues ,
earlhooker
In some recent pictures, guitarist Marc Ribot looks like that professor you had in college… complete with scruffy salt and pepper hair and a wry smile. But this belies the heart of a radical musical polymath that still beats within him. Jumping... Read More Topics:
jazz ,
marcribot
The Allmusic blog has anice post about the music of trumpeter Woody Shaw:"Although Shaw would continue to record for various labels up until his tragic death in 1989, he never quite achieved the commercial success he deserved. Nonetheless, he is... Read More Topics:
jazz ,
blues ,
woodyshaw
John Zorn - Filmworks XIX (Tzadik, 2008): For this release, John Zorn puts down his saxophone and picks up his composing pen, to write eleven short sketches for the animated short film, The Rain Horse which was directed by Russian animator Dimitri Geller.... Read More Topics:
jazz ,
johnzorn ,
larryochs