Tim Niland is a lifelong jazz and blues fan, who
began blogging about music five years ago. In real life, he is a
public librarian living in New Jersey.
It is hard to believe that has been ten years since the death of composer, saxophonist and flautist Thomas Chapin, who died tragically just barely 40 years of age and at the height of his truly potent powers. Chapin's music appealed to me greatly in the 1990's, when I was beginning to deeply explore jazz, he reminded my of my hero Eric Dolphy, as a multi-instrumentalist of endless invention, and by all accounts a fine and generous soul as well. He came to the notice surprisingly enough through the Lionel Hampton Orchestra, which he eventually became the musical director of. This mainstream and swing element of his music was always present, and even at his most out, his music was always accessible.
Chapin recorded a few albums for the Arabesque label, before hooking up with bassist Mario Pavione and drummer Michael Sarin, to form the Thomas Chapin Trio, one of the finest ensembles of modern jazz. Recording for the Knitting Factory label, the core trio was augmented by extra strings and horns on a few albums, but it was always the near telepathic empathy and unassailable musicianship of the core trio that amazed most.
When leukemia struck, he never complained, never asked “why me” but tried traditional and non-traditional medical treatments to no avail. His death left a massive hole in the jazz world, but his spirit lives on, not just in the great music of his colleagues Mario Pavone, Peter Madsen and others, but in the extraordinarily joyous music he left during his fleeting time on Earth. His greatest legacy may be that of breaking down barriers, a realization that the terms “mainstream” and “avant-garde” are just meaningless boxes that we assign to music we haven't take the time to understand. Compassion for all people and all music like Thomas Chapin showed during his life is a great lesson for us all.
This two CD set brings together some very intense and transitional music recorded by John Coltrane in 1965. This was a fascinating period in his career, as his longtime quartet with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums... Read More Topics:
jazz ,
johncoltrane
For blues fans, the Juke or in this case Jook Joint has taken on the mystical place of a temple, where the Word of the blues is passed down from the musician-priests to the eager supplicants, who contort and speak in tongues on the dance floor. This... Read More Topics:
blues ,
variousartists
“Big” John Patton never quite achieved the fame of fellow organists Jimmy Smith or Brother Jack McDuff, but he was a potent and soulful force on the instrument in the 1960’s, cutting some well received albums for Blue Note before drifting... Read More Topics:
jazz ,
bigjohnpatton
Anthemic sounding rock 'n' roll with the "big" sound like Bruce Springsteen, Arcade Fire, et. al. The character studies are quite interesting, almost beat like in their studies of the underside of American youth. Musicians running from the... Read More Topics:
rockandroll ,
theholdsteady
Watermelon Slim and the Workers play the straight-up workingman's blues, for people who walk the hard road every day and are trying to make ends meet. Slim has been a soldier, truck driver and everything in between, and their latest album continues their... Read More Topics:
blues ,
watermelonslim
Like many of the legends of the blues, guitarist Earl Hooker moved to Chicago in the post-war years from his birthplace of Mississippi. Earning a place for himself in the pantheon with his unique slide guitar and his aversion to singing, Hooker never... Read More Topics:
blues ,
earlhooker
In some recent pictures, guitarist Marc Ribot looks like that professor you had in college… complete with scruffy salt and pepper hair and a wry smile. But this belies the heart of a radical musical polymath that still beats within him. Jumping... Read More Topics:
jazz ,
marcribot
The Allmusic blog has anice post about the music of trumpeter Woody Shaw:"Although Shaw would continue to record for various labels up until his tragic death in 1989, he never quite achieved the commercial success he deserved. Nonetheless, he is... Read More Topics:
jazz ,
blues ,
woodyshaw
John Zorn - Filmworks XIX (Tzadik, 2008): For this release, John Zorn puts down his saxophone and picks up his composing pen, to write eleven short sketches for the animated short film, The Rain Horse which was directed by Russian animator Dimitri Geller.... Read More Topics:
jazz ,
johnzorn ,
larryochs