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POSTED July 19, 4:09 PM
![]() Major Works of John Coltrane The two takes of Coltrane's monumental "Ascension" dominate this collection. As a big band free jazz performance it was unique in the jazz canon at the time, akin to Ornette Coleman's "Free Jazz" but separate in its ambition and execution. Spiritual concerns were paramount to the final period of Coltrane's career, and it is possible to see "Ascension" as his musical impressions of a man's journey to the afterlife. But much like William Blake's spiritual poetry, it is a harrowing journey. Both versions of the epic begin with a statement by the group followed by group and solo sections signaled by hand gestures from the leader. The soloists were allowed as much room as they needed and the overall effect was devastating. "Ascension" is either revered or vilified by critics, but I think this really misses the point. This is a transitory, experimental work and should be viewed as such. Allowing the music to wash over you with the ebbs and flows of the soloists and groups is one of the most intense experiences in jazz, and broke new ground for the likes of Peter Brotzmann and the ROVA Saxophone Quartet (who have recorded two of their own interpretations of "Ascension") to continue the exploration. "Om" is one of the most daunting performances in Coltrane's music for listeners to comprehend. Beginning with an ominous sounding recitation and chanting, it gives way to some of the most cacophonous free jazz ever recorded. It's brutal stuff, but it was not meant to be deliberately ugly or confrontational. John Coltrane was interested in all aspects of spirituality, and the Om of the eastern culture was part of it. The chanting and screaming may come off as a little campy, but there's no reason to believe that it is anything less than sincere. "Kulu Se Mama" and "Selflessness" round out the collection and deserve attention because they take in elements of African and Caribbean music. Vocals, chanting and a very interesting groove make for an arresting performance. This collection could more appropriately be called The Spiritual Works of John Coltrane, as Coltrane's spiritual quest informs all of the music found here. This is the sound of John Coltrane leaving Earth bound chordal jazz behind and lifting off to explore the cosmos of free jazz. |
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POSTED July 18, 8:25 PM
“Big” John Patton never quite achieved the fame of fellow organists Jimmy Smith or Brother Jack McDuff, but he was a potent and soulful force on the instrument in the 1960’s, cutting some well received albums for Blue Note before drifting... Read More
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POSTED July 10, 3:56 PM
In some recent pictures, guitarist Marc Ribot looks like that professor you had in college… complete with scruffy salt and pepper hair and a wry smile. But this belies the heart of a radical musical polymath that still beats within him. Jumping... Read More
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POSTED July 10, 3:42 PM
The Allmusic blog has anice post about the music of trumpeter Woody Shaw:"Although Shaw would continue to record for various labels up until his tragic death in 1989, he never quite achieved the commercial success he deserved. Nonetheless, he is... Read More
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POSTED July 7, 2:12 PM
John Zorn - Filmworks XIX (Tzadik, 2008): For this release, John Zorn puts down his saxophone and picks up his composing pen, to write eleven short sketches for the animated short film, The Rain Horse which was directed by Russian animator Dimitri Geller.... Read More
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POSTED July 3, 10:11 AM
One of bassist and composer Mario Pavone's earliest musical acquaintances was the pianst Paul Bley, they performed together during the late 1960's and recorded an album for ESP before going their seperate ways. Reuniting after nearly four decades and... Read More
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POSTED July 3, 10:06 AM
This is a most welcome reissue of a very surprising disc. Saxophonist John Zorn was a leading light of the downtown New York City avant-garde scene, mixing the music of Ornette Coleman to diverse types of ethnic and film music to create new sonic textures.... Read More
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POSTED June 27, 3:04 PM
Not to be confused with the trumpeter of the same name, this Avishai Cohen is a bassist and composer originally from Israel, and now a rising presence on the mainstream jazz scene. Cohen is accompanied by Shai Maestro on piano and Mark Guiliana on drums.... Read More
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POSTED June 24, 4:38 PM
Gracing the cover of this month's Downbeat Magazine (with fellow heavyweights Jason Moran and Matthew Shipp), Vijay Iyer is fast becoming one of the leading composers and pianists on the contemporary jazz scene. Coming hard on the heels of his excellent... Read More
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POSTED June 20, 10:16 PM
Fieldwork is a cooperative band made up of a rotating cast of some of the best players in modern experimental jazz. This edition of the group includes Vijay Iyer on piano, Steve Lehman on alto saxophone and Tyshawn Sorey on drums, and the trio... Read More
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