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To sell out or not to sell out. That is the fundamental question posed by the rambling, ambitious Hip-Hop Immortals. As far as hip-hopumentaries go...
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Find out more about Gordon: Gordon is a curator of the obscure, the bizarre and the spectacular. Sustained only by cigarettes, Redbull and a curiosity only an insane man can acquire. Gordon's reviews shed light on the closeted pathos of film in the last 20 years. If you have doubts ask your God or his Mom. They both think he's sublime. |
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Charlotte Indie Movie Examiner's Articles
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Jaws may have catapulted Steven Spielberg to the heights of Everest, ET may have been his biggest grossing film, Jurassic Park may be the fan's...
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Being John Malkovich (1999) marked one of the most daring, entertaining and eccentric debuts in recent cinema. The film was fashioned from a surreal,...
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This ScareFlix outing from Glass Eye Pix and writer/director Ti West (The Roost) is a change of pace from their usual horror/sci-fi agenda, because...
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Director Lars von Trier creates a small mountain community on an unadorned sound stage. This formalist gambit provides a novel backdrop for the...
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Lost in Translation (2003) Federico Fellini's 1960 film La Dolce Vita captures a particular moment in post-war Italian society and in the...
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Narc (2002) Filmmaker Joe Carnahan taps the essence and intrigue of the early-70s cop thriller with his sophomore feature film, the breathless,...
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Time Bandits (1981) Terry Gilliam's 1981 cult classic is a curious exercise in both frustration and exhilaration. The story, written by...
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The Abyss (1989) Place a group of oil workers in an underwater rig perched just off the four-mile deep Cayman Trough. Throw in a hurricane,...
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Monster in the Closet (1987) This rather engaging monster/comedy from Troma Inc., the makers of The Toxic Avenger, is a wonderful find for...
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