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Ellen St. Thomas and Open Opera: Class act cheap thrills in Berkeley, bring the dog

July 2, 5:22 PMSF Opera ExaminerCindy Warner
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David Tigner/Melanio Duarte/Cafe Melanio/Balboa Park SF/Photo:  Cindy Warner
Gifted singers with sharp minds from UC Berkeley's Young Musicians Program


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ellen St. Thomas brings opera to the people and people to the opera:

OPEN OPERA TO STAGE MOZART’S ‘THE MARRIAGE OF FIGARO’ JULY 25 & 26 in Berkeley;

UC Berkeley's Young Musicians Program performed at Caffe Melanio in Balboa Park (pictured above with teacher David Tigner and Caffe Melanio host Melanio Duarte)

Open Opera announces two free performances of Mozart’s The Marriage of Figaro, fully staged with orchestra, on July 25 and 26 at 3 p.m. in Berkeley’s John Hinkel Park. In Italian with English supertitles, the performances are open to all—opera lovers, babies, and dogs.

As other arts organizations close their doors, Open Opera has enshrined free admission in its charitable aim. Supported by the William and Flora Hewlett Foundation and private contributions, Open Opera’s three founders remain undaunted by the organization’s ambitious mission: to bring free, professional opera to Bay Area parks and use public space to build community through the arts.

The Bay Area’s newest opera company is just getting started, but has launched a master class series with Soprano Evelyn Lear and has ‘Opera in the Park’ concerts scheduled around the Bay Area through October (openopera.net).

Rendering opera accessible to singers and audiences

Open Opera co-founder and artistic director Olivia Stapp cites the informal origins of opera as a primary inspiration for returning opera to venues in which a music lover can listen, walk around, eat—and even unwrap a mint in peace. Stapp’s own decades-long international career as a soprano did not leave her seeking performance opportunities, but now she sees many talented professionals with nowhere to sing. Co-founder and Executive Director Ellen St. Thomas argues that opera’s extravagance and formality render it inaccessible to many—and she wants to change that.

The company’s May 30 ‘Concert in the Park’ in Alameda illustrated the audience expansion Open Opera is seeking: mothers with their infants, retired couples on bikes, picnicking families, dating couples, and solitary music fans all together under a brilliant blue sky. Reflecting on the Alameda concert, Open Opera creative director and co-founder Elizabeth Baker remarked “Open Opera is bringing opera to the public for free in a time of economic uncertainty, and using the commons to unite musical, environmental, and social threads. Children were listening from the trees!”

Local singers and period costumes will grace the WPA-era amphitheater while a new, local food purveyor will challenge audience members to skip the infamous stale cookie typical of theater concessions. Chez-Panisse alum Sylvan Brackett will prepare local, organic Japanese lunchboxes and snacks for between $5 and $15 (eatpekopeko.com).

Whether or not you know Mozart’s most popular opera, Open Opera’s The Marriage of Figaro is bound to be this summer’s class-act cheap thrill.

More class act cheap thrills from Ellen St. Thomas: 

Caffe Melanio's live opera by the gifted and the young of UC Berkeley's Young Musicians Program

Caffe Melanio/Opera Night/Balboa Park/Photo:  Cindy Warner

 

 

 

 

 

 

 

 

 

 

 

I ventured into Balboa Park's Cafe Melanio with it's happy locals (pictured above) last Friday night for a live performance.  David Tigner accompanied four of his gifted students on piano as they performed favorites which brought out their personalities and talents:

Kendra Dodd (pictured top of article, center)

If I Loved You - Carousel
Non so piu - Marriage of Figaro
Va!  Werther by Massanet
Must the Winter Come so Soon - Vanessa by Barber
Papa Can you Hear Me Yentel
 
Note Kendra's range went from a comic pants role to the wistful and poignant loneliness of an abandoned child (Papa can you hear me?) or an abandoned spinster, whose lover promised to return and never did but she thinks she sees him now . . . (Vanessa).
 
David says his gifted students often come from income challenged homes such as one-parent families.
 
Nicole Raynor-Rodriguez (pictured left)
Caro nome - Rigoletto
Sei tu M'ami - Pergolesi
Willow-Baby Doe
A Russian Aria-  I will have to get that for you
 
Note Caro nome is the one the protected ingenue sings about the supposed poor and humble student she has fallen in love with when the guy is really a rapacious cad, the duke pretending to be what he is not: earnest, humble and honest.
 
Kendra and Nicole
Final Love duet from Der Rosenkavlier
 
Gustavo Hernandez (pictured left, behind Nicole)
Questo o Quella from Rigoletto
 
Note Gustavo sang that one with a wink and a smirk and he seemed believable and natural, singing about which woman at his Carnival party would be the lucky winner.  I admit I was relieved to hear later from his teacher David that Gustavo has a masters degree, he was no eighteen year old.
 
Art song by Granados . . .
 
 
Taylor Thompson (pictured right)
Dalla sua pace  Don Giovanni
Nemorino aria from Elixir
Tell me, oh Blue Blue Sky by Gianinni
Verborgenheit by Strauss, as in this video . . . 
 
 
 
 
Taylor and Nicole
Brindisi from La Traviata

 

 
Nicole hit some beautiful high notes in her arias from the American classic, the Ballad of Baby Doe.  This was a signature role of Beverly Sills and Berkeley Opera presents their guaranteed-to-be-quirky version starting July 11. 
 
Here is the song performed by Nicole and by Beverly Sills, the Dearest Mama song.  The real Baby Doe was an Irish Catholic born in Wisconsin.
 
 
 
 
 
Nicole also performed the aria, Willow, sung here by Beverly Sills.
 
 
 
Ellen emails about young Nicole,
 
 
Whenever I hear those high notes I spontaneously cry.  David [Tigner] gave her those arias for that reason.  That is part of his genious.  Great teachers know exactly what repetoire to give their students.
 
 
That's kind of interesting considering maestro Jonathan Khuner at Berkeley Opera will have the lead role performed by his wife Jillian.  Did I mention that in this true story Baby Doe dies alone and freezing near the old silver mine, reportedly insane?  Jonathan says it's a rags to riches to rags story.
 
Kendra also sang in English from the American opera Vanessa, Must the Winter Come So Soon.
 
Check that ego at the door?

That night at Caffe Melanio when I spoke to David he said sponsors, one from the 49ers, support college interviews and tours by his students.  The program in turn also interviews the prospective teachers.  He cautions against teachers who are great but get so egotistical they criticize the candidates and tell them they are doing something wrong.  He's looking for the right chemistry between college teachers and his gifted students.  These are students at the straight A level who sing in multiple languages and have high citizenship standards, the leaders of their generation.

 
Photos:  Cindy Warner

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Berkeley Opera's Angela Cadelago and Andy Truett serve L'Eliser d'Amore

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Anna Nicole Smith and Tales of Hoffman, how opera takes on the bourgeoisie

Berkeley Opera peace and love forevermore (part three of three)

Handel's Wicked Queen comes to Berkeley, Palo Alto, SF:  Going for Baroque

Berkeley Opera celebrates with some jewels (part two of three)

Cinderella and Cinderfellas

Berkeley Opera celebrates with bubbly Ruth Ann Swenson and champagne (part one of three)

Francesca Zambello to direct Die Walkure

Wotan shares his dressing room

Sacrifice of Brunnhilde

Opera tackles weighty issues

Greer Grimsley Impressions, Passions, Stand by Me, Dreams

Tales of Hoffman sells out in a good not bourgeois way

The bourgeoisie and thwarting love

Mother in Law Lounge, Ernie K-Doe in New Orleans

Life should feel like a Mardi Gras again

Rigoletto

 

 

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