Search articles from thousands of Examiners
Write for us
San Diego Arts and Entertainment Baltimore Contemporary Art Examiner
This article is part of Baltimore's Holiday Guide
Baltimore Contemporary Art Examiner

Thanksgiving themes in contemporary art

November 13, 11:21 AMBaltimore Contemporary Art ExaminerLaura Kuah
1 comment Print Email RSS Subscribe

Subscribe


Get alerts when there is a new article from the Baltimore Contemporary Art Examiner. Read Examiner.com's terms of use.
Email Address


  Include other special offers from Examiner.com
Terms of Use

With Thanksgiving exactly two weeks away, I thought it would be interesting to research how traditional American Thanksgiving images (your quintessential turkey, pilgrims and Native Americans) have played out in Contemporary art. After some intense googling, I stumbled upon an installation by artist Sam Durant entitled Pilgrims and Indians, Planting and Reaping, Learning and Teaching (2006) This installation was on display this past summer at the Contemporary Art Museum in Houston, TX  for “The Old, Weird America: Folk Themes in Contemporary Art” exhibition.

Those of us who grew up in attending elementary school in America probably remember the story of the pilgrims arriving on the Mayflower, meeting a nice Indian named Squanto, learning to share the land and celebrating the first Thanksgiving together. We might have even made Indian headdresses and Pilgrim hats out of colorful construction paper and feathers while having a Thanksgiving party in the classroom. This story probably gave us warm fuzzies as a kid and did not share the actual reality of the pilgrims colonizing the native people and their land.

Pilgrims and Indians, Planting and Reaping, Learning and Teaching (2006) shows what colonization in the 1600s really looked like. Durant’s work is a life-size split diorama with figures of Native Americans and Pilgrims interacting together on a slowly revolving machine platform. On one half, we see a Native American teaching the newcomer Pilgrim how to fertilize the soil; on the other side, Captain Myles Standish (the pilgrim pictured below) kills the Pequot Indian! Nothing is more daunting than the explicit message of this piece: that the contrast between reality and myth is always a temptation for any work of icons from American history.

The truth of the matter is that reality does not always paint a pretty picture, and Durant made sure of that in his art. Using creepy dioramas that one might see in a natural history museum – copper skinned Indians and the pilgrims in heavy leather boots – Durant taps into one’s mysterious sense of what happened during the first Thanksgiving.

With that being said, please feel free to enjoy your turkey, stuffing and pumpkin pie while giving thanks with your family and friends this holiday season.

Comments

Name:


Comments:
characters left

NOTE: Do Not Alter These Fields:

Recent Articles

Sunday, September 13, 2009
Well worth the road trip for those interested in a new artistic conversation... Eden Center & Galerie Brigitte to Host the 1st Annual …
Saturday, August 29, 2009
The Contemporary has done it again... thinking outside the box for their forthcoming exhibition! A combination of music, art and a modern invention. …

Things to see and do

English Beat, The
11 Nov 2009 - 9 pm
Belly Up Tavern
More music »
Loudon Wainwright III
Belly Up Tavern
Soul Persuaders
Humphrey's Backstage Lounge