The man who gave the world the illustrious National Treasure films, Bangkok Dangerous and Ghost Rider, to name but a few, has never been one to shy...
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An Education presents such a rarefied image of 1960s post-war London that it may well have been unearthed from a time capsule. The language, the...
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David Denby in The New Yorker said of the great cinematographer Roger Deakin’s work in A Serious Man ‘[it’s shot with] super-hard...
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Bright Star is a fully realized, moving portrait of chaste love in a time where there was nothing but. Let’s just say Jane Campion is back on...
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You can split Bruce Willis movies into two camps: with hair and usually good (Die Hards, The Sixth Sense et al.) and sans hair and usually bad...
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When are comebacks not? It’s probably when you get a – previously – hot actor and journeyman director who has done a couple of gems...
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Computer graphics done right. It’s not easy. You only have to look at any number of today’s ‘blockbusters’ to see evidence of...
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I’m not a foodie, but I know somebody who is. I do, however, like to eat food, with a preference towards good food, and it was because of this...
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It could be that picking through the tortured production of G.I. Joe: The Rise of Cobra turns out to be more interesting than sitting through its...
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By the numbers, the pros and the cons, the best flickerhouses within DC to catch a movie, in order of the author's personal preference: E Street...
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