Edward Burne-Jones’s monumental ode to Laus Veneris (1873–1878) sings with rich orange and red tones corresponding to Algernon Charles Swinburne’s heady and sensual poem of the same name. Credit: @FAMSF
- Edward Burne-Jones’s monumental ode to Laus Veneris (1873–1878) sings with rich orange and red tones corresponding to Algernon Charles Swinburne’s heady and sensual poem of the same name.
- They held the iconoclastic belief in that art’s sole purpose is to be beautiful on its own formal terms.
- Whistler's pieces are the stand-out paintings of the exhibit, making it even more abundantly clear that he was far more than the painter of his mother.
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