Kate Gilmore films herself performing sisyphean tasks that place her in situations of physical and by extension, emotional distress: In Double Dutch (2004), Gilmore jumps rope on a hole-ridden surface while wearing stilettos; in Heart Breaker (2004), the artist hacks away at a large plywood heart (that squirts fake blood) with an axe; in Main Squeeze (2005), Gilmore pushes her way through an uncomfortably narrow, roughly constructed tunnel that snags her dress and restricts her movement; and in Cake Walk (2005), the artist struggles to make her way up a steep ramp on roller skates.
The simplicity of the scenarios in her films empower her struggles with the broad interpretive possiblity of metaphor. By assuming restrictive, culturally constructed symbols of femininity such as high heels, jumping rope, and dresses, while undertaking near impossible tasks, Gilmore critiques the "role" of the modern woman in the wake of third wave feminism. Expanding on the theme of futile strife, Gilmore's performances weigh in on the irony of the human condition. In addition, by exhibiting each scenario as a filmed event rather than a live performance, her work adopts a voyeuristic undertone--viewers both empathize with Gilmore (the subject) while exploiting her struggle for our own moral/intellectual benefit.
As a young woman who grew up with far more opportunities than my female predecessors and watched Sex and the City in my late teens, Gilmore's comical yet grave exaggerations of femininity resonates with me deeply. As I embarked on my undergraduate education, inspired by the possibilities that lie ahead and the career prowess of the SATC women, I was confused by the contradiction of the intelligent and successful Carrie Bradshaw stumbling around vainly in shoes that cost more than my rent. While I admittedly continue to practice my own vain attempts at "suffering for fashion," I think Gilmores work sheds light on the complexity of emotions, desires, and social frameworks that compel us to do illogical things.
Check out Kate Gilmore's videos at Catherine Clark Gallery at 150 Minna St.
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