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A potential new musical tool

I am toying with a notion that a popular e-book device just might have the potential to become a breakthrough musical tool as well.

Somewhere out in the periphery of the computer world stand those specialized computers known as e-readers. They are to regular computers as the iPod is to a regular computer -- i.e., although the computer can do what the iPod does, an iPod (or the equivalent) is designed to carry out a specific subset of a computer's functions in a particularly felicitous manner, in this case playing music and videos. Think of an e-reader as the equivalent of an iPod for electronic books rather than recorded music.

An e-reader differs from a general-purpose computer such as a Mac or Windows PC in a few critical ways:

  • It uses "eInk" technology in the place of the standard LCD screen. Acting a bit like a kid's Etch-A-Sketch, eInk is much easier on the eyes for long periods of reading and doesn't require constant power to retain an image; once the "ink" patterns are set on the screen, they can sit there on their own. Furthermore, an eInk screen does not require a backlight and is not washed out to invisibility in sunlight.
  • It is designed to be held for reading and is typically a tablet of some type, not a clamshell like a laptop computer and certainly not something propped up on a desk behind a keyboard like a computer monitor.
  • It is connected to a mechanism for delivering books, possibly tied into one specific vendor but more likely able to acquire material from a variety of sources, including its primary vendor. In this it operates very much like an iPod, which is tied to the iTunes Store and its matching iTunes software, but which can also be loaded with material from other sources.
  • It may be able to handle digital books with specific forms of copy-protection, again much like digital audio players.
  • It will have an interface designed specifically for reading books, rather than trying to be all things to all people.

Most of the computer-industry pundits will tell you that the whole e-book shebang hasn't really achieved critical mass as of yet; they're right about that, but the earth is shifting under their feet. The e-book world has stubbornly refused to vanish into the night, despite dire predictions in that direction, and of late has been experiencing a definite surge.

A lot of that momentum has come about due to Amazon's Kindle, a device which piggybacks off the web's best-known book retailer. Amazon makes it possible to buy a book for the Kindle right from the device itself, or just as easily online via Amazon's familar "1-Click" technology. No plugging in of cables is required; the books are delivered over a 3G network Amazon calls Whispernet. (In the absence of a Whispernet connection, books can be loaded onto a Kindle via a standard USB connection; it's just like coping a file to a USB thumb drive.)

I hadn't given the Kindle much thought as a musical tool; after all, it is an e-reader with a small, paperback-book screen, which renders it extremely awkward for viewing printed music -- electronic copies of which are mostly in PDF format, displayed only so-so on the Kindle if at all.

But the advent of the Kindle DX has changed my mind. While I allow that the Kindle DX is not about to replace anybody's music library any time soon, there is a great deal of promise here.

The DX's larger screen (almost 10" diagonal) plus its new ability to display most PDFs quite clearly changes the game. You can view printed music quite well on the screen, one full page at a time. Because even on a 10" screen the notation might wind up too small for comfort, the DX's new ability to rotate the screen (by rotating the device, à la the iPhone) allows for a wider page width and thus increased size. (Although in landscape rotation you can't see the length of the entire page.)

The Kindle has the ability to play mp3 files, but something that might be a really interesting development would be for it to play Scorch files -- that being the web-enabled format developed with Sibelius music notation software. Scorch files are notation, but they can also be played directly from within the web browser. The Kindle is close to having that ability -- already it has a rudimentary web browser -- so one could imagine this becoming a feature within a few iterations of the product cycle.

I can also imagine a Kindle with a larger screen yet -- so as to be able to reproduce a page of music at full size -- with a foot-pad page-turning accessory as well.

At that point the Kindle can become a competitor to the MusicPad, a hardware-software system designed to be used for displaying sheet music electronically (and handling page turns the like), or MusicReader software, which runs best on a Windows-based Tablet PC and does much of the same. Both MusicPad and MusicReader suffer from relatively low visibility -- they're both fine products -- while Amazon's visibility is anything but low. Furthermore, the Kindle is a general e-book device, and offers one consistent interface for books, magazines, newspapers, blogs, and many PDF files, so its use is potentially much broader.

The eInk is perhaps just a bit too slow to refresh the page to be altogether perfect for displaying one's music during a concert, but improvements are bound to come.

And of course some innovative company (think fruit) could cough up a device that would elevate the whole tablet-reader-thingy technology to an entirely new level.

But even apart from musical considerations, the Kindle DX is a wonderful piece of gear; I haven't bonded with a device this thoroughly in a good long time. Easy to use, comfortable to handle, capacious (4 GB of memory), and with a sharp, attractive eInk screen, I'm finding in the Kindle a sense of rightness that I encountered with the iPhone, another device that became an integral part of my life almost instantaneously.

The tech future isn't always clear, but even with that uncertainty the present offers up some dandy stuff.

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By

SF Classical Music Examiner

Scott Foglesong is Chair of Music Theory and Musicianship at the San Francisco Conservatory, where he has been on the faculty since 1978. He also...

Comments

  • Bob Moon 2 years ago
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    Where can you actually experience the Kindle without buying one?
    moon2780@sbcglobal.net

  • Mike 2 years ago
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    A regular Windows Tablet PC works quite admirably for these purposes. Starting in 2003 I loaded up my slate model TPC with thousands of music PDFs from which I could play at the piano. I can write on those PDFs with e-ink or highlighter. I can also run regular music notation software and if so desired plug in a MIDI device directly so that music can be recorded and edited directly from my keyboard.
    Tablets usually have higher DPI screens that laptops and very good glare/sun handling (not really an issue at my piano).
    Best of all it's not an extra device to go around, because it's also my regular laptop.

  • Andrys 2 years ago
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    Bob, Amazon sells only direct but they have a trial period of up to 30 days, and if you decide the Kindle just is not for you for any reason, Amazon issues a full refund, as long as the unit isn't damaged and you still have the box and materials.

    Andrys
    kindleworld.blogspot.com

  • Mike 2 years ago
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    As interesting as the Kindle is, it's frustrating for the travelling reader or musician as most of its capacity to acquire content requires that you are in the USA (the only place it is sold). Once you are off US networks and IP addresses you are stuck - Amazon doesn't allow any downloads elsewhere.

  • Scott Foglesong (S.F. Classical Music Examiner) 2 years ago
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    Amazon does need to expand the Kindle out into the international market -- especially for musicians, but everybody would benefit.

  • Victoria 2 years ago
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    I have used the MusicPad for 4 years. It has a bright, crisp display and a means to advance pages of music via a foot pedal. One can program the device to return to previous pages for repeats and Coda markings. I have over 600 songs on the MusicPad.

    Alas, the LCD screen is unreadable out of doors. It costs $899, putting it out of reach for many. It requires a labour intensive process to convert PDFs to proprietary files the MusicPad can recognise.

    A friend let me try his Kindle DX, which is $500 cheaper than a MusicPad. He quickly loaded one of my PDF guitar arrangements on it with no conversion necessary. The display was super sharp and easy to read, especially out of doors. The Kindle was noticeably slower than the MusicPad for page turning. The MusicPad has a "look ahead" feature that shows a half page of the next sheet of music in a piece. If that feature could be incorporated on the Kindle in conjunction with a foot pedal, it would be a deal changer for the Amazon e-reader.

  • June 2 years ago
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    I definitely share your hope for Scorch-like tech on handhelds in the future! For now, another thing that's important to remember is that while Scorch is the best score playback available, it's not anywhere near as useful or universal a form of reproduction for a composer as eBook format is for a writer.

    For the moment I'm not releasing anything in Scorch because it's not anywhere near what it needs to be in terms of nuance (doesn't handle subtleties of dynamics, glisses, or a lot of other realism). Many other working composers share my perspective and/or are in publishing agreements that preclude this kind of sharing. Music publishers aren't nearly as with it technologically yet as book publishers. So we have Scorch representing only a small and amateur-weighted fraction of music, unlike the Kindle which, I think it's fair to say, represents a full spectrum of writing.

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