Brooklyn-based band The National released their latest album High Violet in May 2010. They played two unbelievable shows at Massey Hall in June 2010 and came back earlier this week to take over the Air Canada Centre Theatre.
The Air Canada Centre Theatre uses only a small portion of the full venue creating a much more intimate environment for performers and fans alike. They played several songs off of High Violet, including "Bloodbuzz Ohio", "Runaway" and "England". To the crowd's pleasure, they did justice to "Mr. November", "Fake Empire" and the classic "Slow Show" off their 2007 release Boxer. They also took "Baby We'll be Fine" and "Abel" off of 2005's Alligator album and delivered them effortlessly. For all the devoted fans, they went as far back as 2001 to their self-titled debut album and played "Son" perfectly. They treated those in attendance with two new tracks, "I Need my Girl" and "Rylan", giving a glimpse into what they have in store next. They ended the show with an a cappella version of "Vanderlyle Crybaby Geeks" - no mics, and the fans were having the time of their lives singing along.
In terms of criticism it was disappointing they did not perform a single track off of Sad Songs for Dirty Lovers or the Cherry Tree EP, both which boast some of their most remarkable material; and the show lacked some energy at the start. However, lead singer Matt Berninger's constant unpredictability quickly turned things around: he jested with band members and the crowd, he invited audience members in the seating area to come down to the floor in the standing area so they could get a better view. He went as far as leaping off the stage and running up the aisles and through the rows, walking over seats, passing by hysterical fans, all while flawlessly singing "Terrible Love" - even when a fan accidentally pulled him down and left him laying helpless on the floor. Now that's dedication.
The best part about The National, other than Matt's powerful baritone voice is their lyrics, they're some of the best out there. Couple that with sublime musicianship and constant captivation and inspiration - what more could you ask for in a show?
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