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Morrissey's Autobiography and 25 Live must haves for fans of The Smiths

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Morrissey Autobiography and 25 Live


The furor over Morrissey's autobiography, fittingly titled Autobiography, was deafening last Fall, even here in the US. The former frontman of The Smiths was suddenly joining the ranks of rock star writers. Then he wasn't. Then he was looking for a new publisher. Then he wasn't. Then he was insisting that it be a paperback from Penguin Classics, just like the books of his heroes from his childhood. And of course everyone wanted to know if he was naming names and dishing dirt. Of course he was! Or was he?

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What was (mostly) lost in all the drama is that Autobiography is a damn fine book. Like Bob Dylan's Chronicles, it's got an artistic tone and sports a singular, thoroughly unique narrative perspective which sets it apart from more ho hum, if more accessible, tomes like Keith Richards' Life. It's probably what Neil Young set out to do -- and failed miserably at -- with Waging Heavy Peace.

Morrissey creates a time and place that is palpable right from the start. The style of his writing is a bit oddball, but it's also fresh and opinionated and only sags when he gets bogged down in vendetta-ish cattiness, such as his lengthy (and I do mean lengthy) recounting of The Smiths post-breakup legal wrangling and court case.

I'm hardly a fan of Morrissey or The Smiths, but I frankly couldn't put Autobiography down. I was fascinated by the world Morrissey inhabits (mostly in his head) and by the frank, if sometimes inconsistent, way in which he recounts being a star and hobnobbing with his heroes and (even more entertaining) lesser beings.

On the heels of Autobiography Morrissey also released a concert film called 25 Live, also fittingly titled, as the DVD and Blu-ray celebrates his 25 years as a performer. While hardly great, 25 Live is set in the intimate confines of Hollywood High, featuring a crack band and set of songs familiar to even a passing fan. Morrissey looks and sounds great, and the rapture of his audience is captured in full effect.

These are two to check out.

This article is copyright 2013 by Jeff Slate. No part may be reprinted or referenced without permission and/or attribution. All rights reserved.


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