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'An Evening with Patti LuPone and Mandy Patinkin': That’s all you need to know

An Evening with Patti LuPone and Mandy Patinkin
An Evening with Patti LuPone and Mandy Patinkin
The Kennedy Center

And Evening with Patti LuPone and Mandy Patinkin

Rating:
Star5
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Mandy, Mandy, Mandy…What are you doing on “Homeland?”As my heart raced and then melted after he finished singing Some Enchanted Evening, I couldn’t help but think this. And this was just after the fourth number.

An Evening with Patti LuPone and Mandy Patinkin” is everything you’d want from the two…but still you leave the theatre wanting to spend more time with them. The two have known each other since 1978 and it shows. It’s like they can read each other’s musical minds. With just a piano and bass for accompaniment, LuPone and Patinkin entertain for nearly two hours. And what entertainment it is.

As the program begins, the theatre is dark. Then the lights come up with the spotlight on the two, and they begin singing Stephen Sondheim’s Another Hundred People. Patti’s wearing some sort of black/navy jumpsuit with a scarf and Mandy’s dressed in similarly colored shirt and pants. It’s all quite casual and playful and simply wonderful.

It’s hard to get an intimate feel in the Kennedy Center’s Eisenhower Theatre, but somehow these two performers manage to pull it off. Conceived by Patinkin and Paul Ford, the program is sprinkled with remembrances of LuPone and Patinkin, with dialogue from musicals and just chit-chat between old friends and the audience. And often the chitchat turns into a beautiful number. While many of the songs are performed together, each gets a chance to shine in solos. LuPone brings the house down with “Gypsy’s” Everything’s Coming up Roses and Patinkin rips your heart with his rendition of “Passion’s” Loving You. When the two conclude “Carousel’s” If I Loved You, the silence from the audience is palpable. But the program is not all heartache and tears. They have a blast with Kander and Ebb’s Old Folks, and Patinkin goes off the rails in a great way with Sondheim’s The God-Why-Don’t-You-Love-Me Blues.

Tony-award winning choreographer Ann Reinking provides some interesting dance movements for the two using chairs or just their hands. It sounds simple, but it works and brings a bit more pizzazz to the whole production.

LuPone and Patinkin sing more than 30 songs and somehow it seems greedy to want more. But I do. And so I ask again…Mandy, Mandy, Mandy…paying the mortgage aside…what are you doing with “Homeland?” Could a musical episode please be in the works? Until that happens, be on the lookout for “An Evening with Patti LuPone and Mandy Patinkin” in your neck of the woods.