
Dessay and Florez win Best DVD
Juan Diego Florez is a favorite of el primo tenore Pedro Rodelas, who I just featured. No stranger to opera comique Pedro sings the chef at the old English Bracebridge Dinner in Yosemite. So Pedro says he’s going to get tickets to see JD perform at San Francisco Opera in La Fille du Regiment. JD sings Tonio on the DVD; and at SFO in October with Diana Damrau.
Moreover if you are going to see The Audition broadcast by the Met on Sunday, one of the finalists chooses to sing the aria from La Fille du Regiment with nine high Cs, Ah Mes Amis.
Here is JD singing Ah Mes Amis.
Do you see why La Fille du Regiment with JD and fille Natalie Dessay won best DVD from BBC Music this month?
Natalie as Marie seems particularly at home in the part singing in her native French. As is her style, she uses her petite ballerina form for physical comedy. For example by jumping the sergeant Sulpice Pingot performed by Alessandro Corbelli. Natalie hops onto his back for a piggy back moment. Note Corbelli says the comedy comes mainly from the situation not from an actor trying to be funny.
Later Marie leaps into Tonio's arms for the kiss. Again playing an orphan girl as she does in La Sonnambula, and again finding the love of her life in local villager Juan Diego's character, Natalie leaps into JD's arms and wraps her legs around him. The pair kiss front and center stage for a substantial length of time at the end of Act I. Who else in opera can even think of doing this?
As for Natalie's range, remember she sang Donizetti's tragedy Lucia di Lammermoor last summer at SFO.
Renee Fleming interviews the cast, saying this is the role that made Pavarotti the King of the High Cs.
Getting back to the orphan girl raised by an army regiment, Marie is still at the tomboy stage with her Pippi Longstocking cartoon red mop and braid that sticks up in back. Somehow Dessay perfects her awkwardness as a ballerina would know how. If you miss Muriel Maffre you know what I mean. Remember her in that dance competition where she towers above her partner, all arms and legs?
Felicity Palmer sings the role of La Marquise de Berkenfeld who will make a lady out of the little red haired soldier.
Here is the Channel Four piece at Covent Garden.
The set at the Royal Opera House in Covent Garden has the childlike scale of that magical set from Italian Girl in Algiers from Santa Fe.
The one with the characters coming out of an oversized book on stage. I saw it eight times at SFO with Bill Burden as the tenor; I met the set designer, the hottest thing out of London, when he was buying an oatcake at Cafe Corbus on Hayes one day. Robert Hopkins is his name, tall and thin with dark hair. I asked the nice stranger if he was going to the opera . . .
In any event. At the end of the act in Algiers the book tries to close on them and they scamper, jumping to the floor and trying to prop it open with their little bodies like something out of Raiders of the Lost Ark.
Similarly Covent Garden’s set has oversized topo maps covering the ground; cots stand on top and uniform long johns with backdoors hang on a clothesline. Again like Italian Girl in Algiers, the chorus of soldiers appear outfitted in kitchenware, pots for helmets.
Another gem would be Dawn French. If you watch little but KTEH British television on PBS as I do, you know Dawn French as the Vicar of Dibley from the BBC show. In Fille she sings the role of La Duchesse de Crakentorp but watch her physically—she’s how shall I put this, commanding. She opens the double doors in the parlor like Moses parting the Red Sea.
Moreover, pardon her English. (Note she's actually from Wales, where my great grandmother came from--Cardiff).
Watch out when she uses her native tongue in this French production. One of the first phrases out of her mouth, sweetheart don’t be stingy with the chocolate fountains.
After I watched this 132 minute celebration of life I felt fine as a porcupine. I’ll dedicate this article then to Carter who can make me feel the same way for about two days.
If you need your own 132 minutes of Heaven, Jay Stebley who manages the opera shop at San Francisco Opera tells me the shop carries the DVD. He also stocks Dessay's new CD, the bel canto and opera comique La Sonnambula.
Speaking of childlike joy and how music delivers, my friend Kelly Porter has a new website about his organization. AIDAAN personally brings a little joy to seriously ill children by giving the child an iPod. Kelly emails today and one can detect his Texas accent even in his writing (watch for the you all or yall):
For more info: www.SFOpera.com
The Audtion broadcast from the Met
Natalie Dessay's CD and Jeremy Galyon's debut, believing in the fairy tale
Natalie Dessay CD Part One, ladies do we still want the fairy tale?
Brotherhood and sisterhood, love and peace forevermore
Handel's Wicked Queen comes to Berkeley, Palo Alto, SF: Going for Baroque
Berkeley Opera celebrates with some jewels (part two of three)
Berkeley Opera celebrates with bubbly Ruth Ann Swenson and champagne (part one of three)
Tosca Cafe drinks to doomed lovers
The Tosca Project World Premiere at ACT
Dessay and Juan Diego LIVE awaken love in La Sonnambula
Anna Netrebko sings Violetta in June's La Traviata
Life should feel like a Mardi Gras again
Anna N (as in Anna Nicole) and why her opera may still sound bafflin' on some remote island
Anna Nicole fights back from the grave and how opera takes on the bourgeoisie
Tone deaf diva touches and eviscerates
Tales of Hoffman sells out in a good not bourgeois way
Tales of Hoffman as bourgeoisie and the devil thwart poet's love
Anna Nicole and subject of celebrity a worthy one
Anna Nicole Smith weapon of mass distraction
Francesca Zambello to direct Die Walkure
Wotan shares his dressing room
Greer Grimsley Impressions, Passions, Stand by Me, Dreams
Tosca and how opera's embattled stay in fighting shape











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