One of the pleasures of writing this column is discovering new Latino authors.
I learned about Francisco Stork from fellow author Jo Ann Hernandez. She read his book, Marcelo in the Real World, and said it was fantastic. I'll be reviewing his book here soon and interviewing the author as well. Before I do, I thought I'd introduce his work with this short profile.
I invite you to visit his website and check out excerpts from his books!
Marcelo in the Real World summary:
Seventeen-year-old Marcelo Sandoval hears music no one else can hear, part of the autism-like impairment no doctor has been able to identify. Marcelo is tagged with a "developmental disorder" because of his pervasive interest in God and all things religious and because he does not relate to others as expected. He's always attended a special school where his differences have been protected. But the summer after his junior year, his father demands that Marcelo work in his law firm's mailroom in order to experience "the real world." There Marcelo meets Jasmine, a beautiful and surprising coworker, and Wendell, the son of another partner in the firm. Marcelo learns about competition and jealousy, anger and desire. But it's a picture he finds in a file — a picture of a girl with half a face — that truly connects him with the real world: its suffering, its injustice, and what he can do to fight.
Read an excerpt at http://www.franciscostork.com/excerpt_marcelo.php
Author's Bio:
Francisco Xavier Arguelles was born in 1953 in Monterrey, Mexico. Ruth Arguelles, his mother, was a single mother from a middle class family in Tampico (a city on the Gulf of Mexico). The reason Francisco was born in Monterrey rather than in Tampico, where Ruth lived, is that her father did not want anyone to know that she was going to have a child out of wedlock. She was sent to Monterrey to live in a convent until the baby was born. The baby was supposed to be given up for adoption, but Ruth changed her mind. After a while, Grandfather Adalberto relented and mother and baby Francisco were allowed to come home.
Six years later Ruth married Charles Stork, a retired man more twenty years her senior. Charles Stork adopted Francisco and gave him his name. Charlie was a kind but strict Dutch man who quickly went about instilling needed discipline in his new son. For his seventh birthday, Charlie gave Francisco a portable typewriter because Francisco announced that he wanted to be a writer. After wandering about Mexico for a few years trying to live on a Social Security pension, Charlie decided to bring the family to the United States where he hoped they would fare better.
The three of them came to El Paso, Texas when Francisco was nine. Charlie, an American citizen was able to obtain the necessary visas for Ruth and Francisco. Francisco was sent to grammar school where he learned English on the go. Unfortunately, no one was willing to give the sixty-five-year-old Charlie a job and so it became even harder for the family to survive in the United States. They lived in a variety of apartments and trailer houses staying in each for as long as possible before getting evicted.
When Francisco was thirteen, Charlie Stork died in an automobile accident. Ruth decided to stay in the United States. She and the boy obtained an apartment in one of the public housing projects of El Paso. Francisco was awarded a scholarship to the local Jesuit High School and soon rose to the top of his class. During his senior year, he received an Honor’s Scholarship (full tuition and living expenses) to attend Spring Hill College, a small Jesuit College in Mobile Alabama.
At Spring Hill College, Francisco majored in English Literature and Philosophy and received the college’s creative writing award. After college, a Danforth Fellowship (awarded to 40 college seniors out of approximately 5,000 applicants) allowed him to attend graduate school at Harvard University. At Harvard he studied Latin American Literature with people like Octavio Paz, the Mexican Nobel Laureate. However, the emphasis on scholarly research and writing seemed too remote and irrelevant to all that was important. So, after four years of Harvard, Francisco went to Columbia Law School. His plan was to make a living as a lawyer without abandoning his plan to write fiction. Twenty years and twelve or so legal jobs later, Francisco published his first novel.
Francisco Stork is now the author of three novels.
Previous works by this author...
Behind the Eyes summary:
Hector Robles has spent his sixteen years in the projects of El Paso trying to stay unnoticed. His peaceful obscurity is shattered when his impulsive brother challenges the leader of a gang called the Discípulos. Suddenly Hector is drawn into their world of violence and hopelessness. When a marker is placed on his life, Hector tries to escape by going away to a school for students with troubled pasts. But it isn’t easy to function when he’s paralyzed by the fear that they’ll find him, even there. Ultimately, by confronting external threats and the internal pain of his memories and mistakes, Hector begins to understand what manhood really means.
The Way of the Jaguar summary:
Ismael Díaz is on death row. When the commissioner orders him to write for two hours each day, Díaz tells the story of his descent from prominent real estate attorney in Boston to a desperate searcher for the love of his youth in the seedy brothels of Mexico.
"If ever a literary character arrived on death row for the crime of love, it is Ismael Díaz in this potent novel. Díaz was a successful real estate lawyer in Boston until he stamped out a neighbor's 'spring-cleaning fire.'
"One thing led to another and Díaz lost his home, his wife—everything that he thought made his life worthwhile. He ends up back in El Paso, his hometown, looking for Armanda, the long-abandoned love of his youth. After he left her, Armanda, without Díaz's knowledge, bore his child, later saw that child murdered by a sibling and gradually lost herself in drugs and prostitution across the border in Ciudad Juarez. Díaz finds and rehabilitates her, but soon a crisis occurs, resulting in murder-or, rather, an execution. All of this is related in short episodes in a 46-day diary...
"As Díaz reconstructs his life, he also learns the 'way of the jaguar' from another inmate. It is half ancient Aztec, half home-grown philosophy (heavy on the Zen) that entails facing down La Pelona—Death herself—and accepting life. Paralleling this mental pathway are Díaz's memories of the Paso Lento, a passive but passionate lovemaking method that Armanda taught him, details of which will blow the socks off the reader. As Armanda says, 'I can show you the steps but the music of the Paso Lento comes from inside you.'"
Links:
http://www.franciscostork.com/
--Mayra Calvani, www.MayraCalvani.com











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