
Photo courtesy of CuriousJosh.com and Pyronauts
Of all the cultural outcroppings of the Burning Man festival that have become popularized over the years--LED lights and el wire, furry and neotribal fashion, Camelbacks, renegade bacon, regional festivals and the "Leave No Trace" philosophy, to name but a few--none can claim the success contained in the meteoric rise of the fire arts.
This graceful, mesmerizing art has its historical origins in the South Pacific, blending ancient Maori warrior training with Samoan fire performance. It slowly morphed into a niche performance art that first landed in the States in San Francisco around 1947. For years fire performance would usually only be found in exotic carnivals and lavish productions, like Cirque de Soleil, until Burning Man got a hold of it in the 1990s and turned into an explosive subculture.
These days, all across this country, anytime the moon is full, you can find fire spinners jamming en masse in huge drum circles or to the oonch oonch oonch of electronic music. YouTube is crawling with amateur videos of fire performers from all over the world (check out the "Seven Fire Samurai" and be prepared to gape like a slack-jawed yokel) and a whole wave of professional fire troupes now populate the West Coast, Europe, and Japan. There's even a festival geared specifically towards the fire arts, the annual FireDrums, which takes place high in the Santa Cruz mountains.
And of course, every year at the Burn on Saturday night, before the Man is set afire, one can witness the jaw-dropping spectacle that is the Fire Conclave within the Great Circle. A massive convergence of 30 or more groups from all over the world, euphemistically referred to as "The Super Bowl of Fire Dancing." It's the single largest gathering of fire performers in one place in all the world.
Pyronauts are the brain child of Vatra Amidzich, a San Francisco fire performer and 15-year Burning Man veteran, who was encouraged in 2005 by BM Creative Director Crimson Rose--Mistress of Fire and organizer of The Great Circle--to create a new Fire Conclave troupe. It wasn't until Vatra thought outside of the "local troupe box" that the concept and intention of Pyronauts was born.
"When you think about starting a performance troupe, you naturally think of people in your area so you can choreograph and rehearse together, but I didn't want to rob the top talent from the Bay Area Fire Conclave troupes and make them weaker just to start my own troupe. Then I started thinking about some of the world's most inspiring fire dancers who didn't belong to Fire Conclave troupes because of their remote locations, and I came up with 66 names. I invited each of them to become a Pyronaut, and all said yes! It was going to be the largest Fire Conclave of all time, and my first time ever leading a troupe."
The Pyronauts also put together a fire performance theme camp which has returned every year since 2005. This was set up, according to Vatra, as "A centralized convergence point where fire dancers, spinners and movement artists can share and learn in order to propel the fire and flow-arts forward." Recognizing that fire dancing can be intimidating to beginners, Pyronauts Camp also offers interactive workshops in the various disciplines of the fire and flow-arts. But their biggest attraction has always been their spin jams during the day, and performances at night followed by epic fire jams which attract some of the largest audiences anywhere on the playa.
Since the Pyronauts have no home base and are rarely all in the same place together outside of Black Rock City, their choreography for the Great Circle performance is put together differently than the other troupes, who are mostly based out of different cities and have all year to practice together.
"Every Pyronaut is a professional with a high level of skill and dedication to their art and everyone rehearses and performs together in their respective locations throughout the year, so everyone's acts are highly polished." Vatra adds, Once gathered together on the Playa, he then splits the troupe into two alternating groups by "energetically matching" the various routines of the smaller pods within Pyronauts. Later the entire troupe gets together to work out the intricacies of the choreography which further galvanizes the intention and flow of the performance.
Although they rarely perform together as a full troupe, Vatra and a select cast of Pyronauts will often perform at events like The Crucible's Fire Arts Festival, Harmony Festival's Techno-Tribal, EarthDance, Raw Spirit Fest, and many other festivals, as well as private parties, openings, and corporate events.
"Sometimes its just me and one other performer, and other times there's a cast of up to 20 of us. That's usually about the limit of what you can do outside of Burning Man. It would be insane to try to get all 77 together for an outside gig!", he laughs. "But I would say that our performances could best be described as Sacred Theatre... incorporating archetypal characters, various international styles of dance, and breathtaking costuming and theatrics fused with the primal element of fire and highly skilled displays of fire dancing. We're blessed to have the opportunity to share our art with those who would otherwise not be exposed to our unique montage of fire ritual and performance art, and in this way, I feel that we make a dramatic impact."
Look for Pyronauts Camp on the playa and come by Wednesday or Thursday night for their performances and fire jams... and try to catch their Fire Conclave performance on Burn Night, but come early to get a good view! The official placement of the Fire Conclave troupes within the Great Circle will be listed at Fire Conclave Convergence near Center Camp and it will also be listed on the websites below.
For more info: http://facebook.com/vatra or http://myspace.com/vatra











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