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Wagner's Ring Cycle set to bring economic impact to Seattle

Seattle Opera’s Ring des Nibelungen Returns

Three Cycles Presented August 9 to 30

 

23 Countries and 49 States Represented at this Year’s Ring

 

Economic Benefits for Pacific Northwest Region Projected at Nearly $9.5 Million

Seattle Opera’s signature production of Wagner’s Ring des Nibelungen returns to McCaw Hall in August. The four operas that comprise the RingDas Rheingold, Die Walküre, Siegfried, and Götterdämmerung—will be presented in three full cycles: August 9 to 14, August 17 to 22, and August 25 to 30.

This award-winning production, first unveiled in 2001, was inspired by the beauty of the Pacific Northwest. Director Stephen Wadsworth and conductor Robert Spano, music director of the Atlanta Symphony Orchestra, return for this summer’s production, which features the creative team of set designer Thomas Lynch (a 2008 Seattle Opera Artist of the Year for his work on Iphigenia in Tauris and Flying Dutchman), costume designer Martin Pakledinaz, and lighting designer Peter Kaczorowski.

“Every time we present Wagner’s Ring, we hope for a greater series of performances than we have given before,” said General Director Speight Jenkins.  “The rehearsals this year have been extremely rewarding, and I have every reason to think that this will be a very great series of cycles indeed.”

Over 63 percent of the cast is new to this summer’s production, including Janice Baird as Brünnhilde, Stig Andersen as Siegfried, Kobie van Rensburg as Loge, and Stuart Skelton as Siegmund. Many SeattleRing favorites are returning: among them are Greer Grimsley as Wotan/The Wanderer, Richard Paul Fink as Alberich, Margaret Jane Wray as Sieglinde and the Third Norn, and 2009 Artist of the Year Stephanie Blythe as Fricka, the Second Norn, and Waltraute (Götterdämmerung).

 

The Ring is expected to generate almost $9.5 million in economic benefits for Seattle this summer, drawing attendees from 49 states, 23 countries, and eight Canadian provinces. Tickets for the production are nearly sold out, although limited full cycle, single opera, and standing room spots remain.

Throughout August, Seattle Opera is also hosting a number of Ring festival activities at McCaw Hall and Fisher Pavilion. General Director Speight Jenkins will offer insights into each evening’s opera through his in-depth “Exploring the Ring” lectures. A symposium will be held during each cycle, featuring a variety of Wagner experts speaking about the composer and his work from their unique perspectives. Technical Director Robert Schaub will give audiences a glimpse into the Ring’s stage magic at his Tech Talks.

 

The artwork of this summer’s New Visions artist, David Kreitzer, will be on display at McCaw Hall and Fisher Pavilion. Seattle Opera commissioned five Ring paintings from Kreitzer, who felt artistically compelled to continue with the subject.  Kreitzer has created seventy Ring paintingsthe product of more than two years’ workwhich he will bring to the August exhibit.

Seattle Opera is unveiling a number of new activities at McCaw Hall and Fisher Pavilion under the auspices of its Wallace Foundation Excellence Award grant.  During intermissions (and before curtain in the case of Das Rheingold) audience members may stop by any of eight television sets throughout McCaw Hall for a glimpse into the backstage action in the company’s “Behind the Scenes” video program. To help audiences share their Ring experience with others, Seattle Opera created Walküre Views. This special online interactive program will let people choose from several Ring photos to create personalized postcard-like messages to email to friends and family, or to post directly to their own Facebook pages. Each image will also have a section where everyone can comment on, discuss, and rate the scenes they depict. Computer kiosks with touchscreen monitors will be available for Walküre Views at Fisher Pavilion and at McCaw Hall.

On Seattle Opera’s website, guest bloggers have been invited to contribute to the Seattle Opera blog, and the blog will also feature a daily caption-writing contest. A new video series called The Road to Valhalla will give viewers a look behind the scenes into the complex activities that go into producing the Ring Cycle.  Seattle Opera’s “Confessions of a First-Time Operagoer” project may also be viewed on the website.

Tickets for the Ring can be purchased online at seattleopera.org/ring, by calling the box office at 206.389.7676 or 800.426.1619, or in person at
1020 John Street
(two blocks west of Fairview) between 9 a.m. and 5 p.m., Monday through Friday. The box office is also open on Saturdays during August from noon to 4 p.m. A limited number of standing room tickets are available for $20 per opera. These go on sale on the opening day of each cycle for the four operas that follow, and can only be purchased over the phone or in person.

 

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, Seattle Fine Arts Examiner

Steve Clare is the founder and editor of Prost Amerika, a bilingual arts, tourist and events review site for Seattle. He has been reviewing ballet, theatre and opera in Seattle for three years. Get more information about Prost Amerika at http://www.prostamerika.com/.

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