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Pete Tong and Derrick Carter live at The MID Chicago-Friday, December 6th, 2013

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It’s fair to say that Pete Tong’s history is intertwined with the history of acid house and electronic music itself. His career mirrors the story of dance music over the last 25 years. It’s been a long, tumultuous ride for Tong. “I left school at the end of the 1970s and always wanted to be a DJ,” he starts, “To make a name for yourself back then you had to have the coolest and rarest records - if you managed to get hold of the hottest tune in the record shop, it could be months before any other DJ managed to track down a copy; your status and ability to call a tune in the underground record stores was very important, it’s hard to conceive that today with the instant access available online”.

Tong is constantly busy with touring, production work, remixes, music supervision, film scoring, and a weekly Radio 1 show. His radio shows are revered around the world. He introduced major DJ personalities like Daft Punk, Tiësto, The Chemical Brothers, Carl Cox and Sasha during his radio show. Remixes have included; Gorillaz ‘Stylo’, Phoenix, Underworld and U2 with Paul Rogers, and Robyn, Madonna, Cheryl Cole, James Blunt and Razorlight with Dave Spoon. Tong is also finding more time to combine his twin loves of music and film. He was the soundtrack supervisor for Human Traffic, Event Horizon, Shopping, The Beach and 24 Hour Party People and executive producer (with a cameo role) in the seminal, It’s All Gone Pete Tong. Recent work includes the music and score for Beyond The Rave for Hammer Films and supervision and score for the award winning Harry Brown which starred Sir Michael Caine. More projects are currently in the pipeline.

Did he ever see such longevity being possible back in the early 80s? Tong ponders the question for a moment. “If we’re fortunate of one thing, it’s that we were in the right place at the right time. Without wanting to sound crass, in our own way in our own world, it was a bit like being in The Clash or The Sex Pistols around the time of punk. We all loved music before acid house, but when the rave explosion started, we were in the right place at the right time – and we made the right moves.” He’s still making them now. [from Pete Tong biography]

Pete Tong on Facebook; Pete Tong on Twitter; Pete Tong on Soundcloud; Pete Tong on YouTube

One of the pinnacles of Chicago house music's '90s wave, Derrick Carter began DJing at the age of nine, spinning disco records at family reunions. Born and raised in the western suburbs, Carter was into music from a young age, but during his teens Chicago's house scene sucked him in for good. Before long Carter became a strong presence in the city's underground dance scene. "When I got my driver's license at 16 my sneak ability was validated," he laughs. "I was a fierce bedroom jock for a long time. After you mix for the love of it for six or seven years, you get it pretty tight and you can take it on the road." He got by working at dance-music specialty stores like Gramaphone and gigging at parties. Later he landed regular DJ stints at Shelter, Foxy's, and Smart Bar. Though he doesn't spin much locally anymore, when he does he attracts large crowds. Most of the time he works in Europe, where he's become a minor celebrity among dance-music aficionados.

Carter’s sets are rooted in house, but he freely travels outside club tastes, seamlessly incorporating old-school disco, soul, jazz and whatever catches his fancy. His debut single Love Me Right appeared in 1987, just after he graduated from college. Another single (Symbols and Instruments as Mood) appeared in 1989, but the Chicago house scene faded soon after, leaving Carter and other artists with few to play for except themselves. Thanks in part to Cajmere's and Felix Da Housecat's respective labels (Relief, Radikal Fear), Chicago house made a comeback during the mid-'90s and began to offer impressive newcomers in addition to the old guard. Carter, recording for the Organico label, returned with several singles, and an album as Sound Patrol. In 1995, he began working with a live band as the Sound Patrol Orchestra. [from Derrick Carter biography]

Derrick Carter on Facebook; Derrick Carter on Twitter; Derrick Carter on Soundcloud

Friday, December 6th 2013
The MID and React present...

PETE TONG
and
DERRICK CARTER

call 312-265-3990
For Tables and Birthday Packages

The MID
306 North Halsted Street
Chicago, IL. 60661
10pm-4am | 21+
312-265-3990 (info/table reservations)
NO DRESS CODE

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