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LACMA and The Academy present first Stanley Kubrick Retrospective in the USA

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It is a major step in the Academy’s plan to create a premier movie museum in Los Angeles: The Los Angeles County Museum of Art (LACMA) and the Academy of Motion Picture Arts and Sciences (The Academy) are pleased to co-present the first U.S. retrospective of filmmaker Stanley Kubrick. The exhibition provides access to the director’s extraordinary vision and working methods while illuminating the network of influences and conditions that came together to make his films universally regarded as modern masterpieces. “Stanley Kubrick represents the perfect opportunity to collaborate with LACMA on the presentation of film in a museum setting,” said Dawn Hudson, Academy CEO. “It is a taste of things to come when we open the Academy Museum of Motion Pictures in the historic Wilshire May Company building on the LACMA campus.”
The Los Angeles presentation is made possible by a generous gift from Steve Tisch. LACMA trustee Steve Tisch said, “I am glad to support this important retrospective of one of the greatest filmmakers of all time. This is one more example of LACMA’s commitment to film as an art form, along with past exhibitions like Tim Burton and Dalí: Painting & Film and recent acquisitions like Christian Marclay’s The Clock.”

Kubrick’s acclaimed repertoire of films, including Paths of Glory, Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, The Shining, Full Metal Jacket, and Eyes Wide Shut, among others, highlights not only his signature directorial tenacity but also major technological innovations of the time, such as filming by candlelight in Barry Lyndon and utilizing the front projection effect in 2001. The exhibition also includes an alternate beginning to this seminal science fiction film.
Kubrick’s films will be represented through a thoughtful selection of archival material, annotated scripts, photography, costumes, cameras and equipment, set models, original promotional materials, and props. The interdisciplinary exhibition draws attention to Kubrick’s fixation with historical research and his visionary adaptations of influences from the fine arts, design, and architecture, and enables visitors to experience the cinematic journey of one of the great artists of the twentieth century. The exhibition also includes sections dedicated to projects that were never completed, as well as to the special effects (visual and auditory) developed by Kubrick and his team.

Terry Semel, co-chair of LACMA’s board of trustees, said “I had the great privilege of working with Stanley on many of his films, including Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. I am thrilled to see his work honored in a museum setting.”

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