We think you're near Los Angeles

Currently in Los Angeles

Location: Los Angeles Current temperature: 74°F: Current condition: Clear See Extended Forecast

Kim Lenox Brings Shadows—and Love—to Life

Darker Than Night
Darker Than Night
Photo credit: 
Kim Lenox

Kim Lenox writes powerfully emotional historical romances that are based in the paranormal. Hi, Kim, and welcome back to The Examiner. So are you a native born Texan or, if not, what brought you to our great state?

I love Texas, but was born in Arizona. My dad was in the Army, so we moved to different assignments every three or four years. Because both of my parents were born in Texas and had family here, it's always been "home". They retired here, and I'm a Texas Aggie (Whoop!).

Well, you have Texas in your veins through your parents. How many books did you write before selling your first one, and how did you deal with rejection?

I wrote one very terrible book before selling my second. That sounds charmed, doesn't it? But not if I tell you that I spent over four years writing and rewriting that first awful manuscript. I have friends who still love that story. It had some great scenes, and a very tortured hero. The problem is, I never really figured out what he was tortured about! I consider that book my learning book -- by the time I finally decided to move on, I had taken a number of very good writing courses, and refined my skills!

Did you have an agent for that first sale? If not, do you have one now and has it made it easier to sell your work?

I did have an agent. I had entered the first chapter and synopsis of my second novel in a number of contests, and finaled or placed in several. I was able to include those awards in my query letter, and think that helped get my manuscript read. And YES, my agent did help me sell that first book. There are two kinds of agents -- those who submit an author's manuscripts as-is, and then those who offer suggestions for improving them prior to submitting them. My agent worked as an editor for one of the major publishing houses for eight years, and I found her expertise invaluable. She's also a pro at deciphering, explaining and negotiating contracts.

Please tell us about your latest book.

DARKER THAN NIGHT is the third book in my paranormal SHADOW GUARD series, set in Victorian England. The Shadow Guards are a mysterious order of immortals who track and Reclaim morally deteriorated souls that have grown so evil that they attain a dangerous supernatural power known as Transcension. Here's the cover blurb for the story:

SLEEPING BEAUTY

Countess Selene is the Shadow Guard's only female member. It has taken her centuries to prove herself worthy of the Order. She sacrificed herself to save the people of London, and she's now under a sleeping spell in the Tower of London, guarded by Raven warriors.

DANGEROUS BEAUTY

When Selene awakens on a dark street with a blade in her hand and a dead prostitute at her feet, everything changes. She loses her power and authority, and is held under surveillance by Lord Avenage, England's Ravenmaster, a reclusive and seductive immortal warrior whose past is shrouded in secrets. But what they don't realize is that evil is watching. Cut off from the protective ranks of their fellow Shadow Guards, Selene and Avenage find themselves face-to-face with an ancient enemy, with only each other to trust ...

Like the rest of the SHADOW GUARD series, this book sounds great. Would you like to give us a small scene from the story?

Sure! Here is the prologue of the book:

     He awoke to darkness, his limbs twisted in linen sheets, his hands seizing at nothing. Perspiration bathed his skin.

     Her taste lingered on his tongue. The scent of lotus flowers clouded his nostrils, a seductive tease. He ached—oh, God, how he ached, the intensity of his unsatisfied need leaving him almost sickened.

     Groaning, he rolled to his side and curled inward upon himself, alone in his room save for the blinking raven perched on a brass stand beside the window. A gust of wind rattled the shutters and Big Ben tolled three o’clock. Male voices, drunken sailors from St. Katharine’s Docks, volleyed curses at one another. Bells rang softly on barges which were anchored on the nearby Thames.

     The bird shifted and rustled its wings.

     Torn between agony and shame, he threw off the linens and abandoned his bed. Wrenching the door open he took to the dark hallway, his hands skimming over ancient stone. The stairs. One flight. Two. Fevered blood pulsed inside his head. Closing his eyes, he drew upon his inner power to change, to become a shadow. A different sort of heat consumed him, one that seared his bone, muscle and flesh from the center of his solar plexus, out. Unnoticed he slipped past the two brothers who had been assigned to night duty.

     A large brass cage hung from above, higher even than the large circular candelabrum that provided the room with a comfortable light. The cage contained six of the Tower’s seven resident ravens—all but his, which remained in his room below.

     Tres, silent and serious, sat at a long desk, his pale head bent in concentration, transcribing the day’s surveillances and communications into a leather bound tome. His younger brother, Shrew, mumbled the words to a tune and crouched beside the fire. With a curl of his muscles, he wrenched a length of chain and from inside the flames, out clattered a narrow brass cage onto the stone floor. Inside would be a stack of sealed envelopes, unmarred by the incinerating heat—the night’s communiqués from the Primordial Council and others within the immortals’ protected Inner Realm, the pure-aired paradise that existed as an alternate plane, over the same landed space as the mortal world.

     As part of their nightly duties, the two Raven warriors also guarded over ...

     Wood-plank doors, bound by studded metal bands hung open on massive hinges, granting him entry to the shadowy chamber.

     Over her.

     Wind rushed through the shutters, to awaken his skin and incite the purple curtains into a rippling dance. A gilt statue of Hecate hung over the bed, carved to appear as if the goddess was bursting through the wall. Beautiful, bare breasted and arms outspread, in each hand she wielded a lantern in the shape of a blazing torch.

     But he was a Shadow Guard, gifted with the ability to see through the most fathomless dark. He didn’t need her light to see the woman below.

     This night, as in each night past, her dark hair spilled in a glossy river across the pale linens. Raven’s wing lashes lay against her cheekbones, concealing the dark eyes that tormented his dreams. Her skin, golden rather than alabaster, shone with the inner light of vivacity and health. With each breath, her breasts rose and fell, the intricate lace of her undergarments faintly visible beneath the fine lawn gown she wore. A garnet the size of an Egyptian scarab glimmered on her finger. A narrow gold band in the shape of a serpent encircled her wrist.

     Careful not to touch her skin, not a single strand of her hair, he pressed his fists to the mattress at either side of her face. He leaned down until his nose was aligned just beside hers so that their lips nearly touched.

      A moment later, and he escaped the White Tower through the window and descended the cool surface of Caen stone. Once on Postern Road he traveled quickly—in a rage of speed and power. He skimmed and turned against brick, wood and cobblestone, leaving behind the Tower of London , the wharfside warehouses and the tenements. Everything—the dead fish stench of Ratcliffe Highway and the granite arches of the Bridge of Sighs —dissolved into a blur as he hurtled past.

     At last there were the green parks, high stone walls and rows of palatial white town houses. The shadowy figures of well dressed gentlemen hovered on horseback and doorstep as they returned home, discreetly and quietly, from private clubs, gambling houses or from within the arms of their mistresses.
He found the numbers imprinted onto a bronze plaque and hissed under the black lacquered door, and past the slack-faced doorman asleep on a bench. Cool marble. Blue silk. Rich gilt. He mounted the stairs and entered her room by way of the crack beneath the door. The power of his arrival snuffed the candle in the lamp and sent the crystal teardrops of the unlit chandelier to jangling. He materialized at the foot of her bed, his chest heaving, still barefoot and wearing only his loose linen trousers.

     She pushed up, white satin hugging every curve.

     “I knew you’d come,” she whispered.

     She beckoned, arms outstretched. He didn’t look at her face—only at her hair, which was the precise shade of blonde to make him remember.

     To make him forget.

ZERPP! Ha! That's all you get.

Just enough to entice. Please tell us about your heroine.

Selene is the daughter of Cleopatra, and so not only was she influenced by her mother's very strong personality, but she has been forever impacted by her mother and father's famous deaths. But unlike the rest of the world, she does not at all see their deaths as romantic. She's always had a lot of anger over her mother's decision to abandon her, through death, for Mark Antony. We've seen her in previous books as cold and distant, and even as a trouble maker. In this book, it was very satisfying to break through the hard exterior of her personality, to the more vulnerable woman beneath.

What is the most striking feature of your hero?

When Rourke "turns" he has expansive and powerful Raven's wings. When he is not turned, there is only the dark swath of the wings tattooed across his shoulders.

Very interesting. How about your villain? Does he have any redeeming characteristics?

Most writing courses will tell you to give your villains redeeming characteristics, but in the context of my books, the villains are too evil to be redeemed. It is for that reason they are being tracked and eliminated by the Shadow Guards -- they are soulless and too far gone for humanity. The villain in DARKER THAN NIGHT has motivations for what he's done, but yes, redemption is out of the question.

Out of all the characters you’ve created, which one would you most like to know in real life?

Archer, Lord Black, from DARKER THAN NIGHT (Book I). He is the most ancient and superior of the Shadow Guards, and favorite of Queen Victoria. He's mad, bad and dangerous to know. Just the kind of friend I'd like to have if I ever got into a fix.

What is your latest writing news?

The second book in my series, SO STILL THE NIGHT, was nominated by Romantic Times Book Reviews magazine as the Best Historical Vampire/Shapeshifter/Werewolf for 2009. Winners are announced this month!

Congratulations and good luck…that’s quite an honor. Finally, where can readers find you on the internet?

Come see me at either www.kimlenox.com or with my friends NAL paranormal authors, Jessa Slade, Sharon Ashwood and Annette McCleave at www.silkandshadows.com. You can win FREE books at both sites, so please come visit!

 

Advertisement

, Houston Romance Novels Examiner

Teri Thackston is a Houston area author and long-time Romance Writers of America member who writes in several romance sub-genres: suspense, paranormal and western. Her award-winning books are published by Cerridwen Press.

Don't miss...