Cincinnati is the last stop for the award-winning “Diana, a Celebration” exhibit that ends its 11-year global tour in August 2014. It is displayed in Cincinnati’s museum complex, once the busy Union (train) Terminal. The exhibit begins with Diana’s family tree and ancestral portraits followed by photographs of her family and predictably large family jewels. The next room is more personal with artifacts from Diana’s childhood including toys, books, and diaries. Home movies play on the video monitor.
A room is devoted to her engagement and is a fitting prelude to the stunning hall of the wedding. Her wedding dress, train fully extended, is in a glass case. Her intricately designed dress is of such fine silk, it can be lifted with one finger (minus the train). Her wedding shoes have suede soles so she would not slip during the most televised wedding in history. Only two people in the world are authorized to handle this national treasure of a wedding dress. They fly in from London to set up and dismantle the exhibit as it moves around the world.
Another room displays 28 of her designer outfits. Her evolution as a style setter can be seen as she refines her fashion sense through her royal years. She had a brief Jackie phase with the first lady’s iconic pill box hats and then moves on to the style that was uniquely her own. My favorite is an Easter suit displayed with coats for her little sons made with the same fabric. The dress she wore to her last public function is black, foreshadowing her untimely death.
The next room is the most difficult for those who remember the People’s Princess. A video display of her funeral cortege is surrounded with thousands of real rose pedals, now brown and curling. Elton John’s adaptation of “Candle in the Wind” that he sang at her funeral plays softly. The first draft of her brother’s eulogy has his bitter words against the paparazzi crossed out/
Cincinnati, known as the Queen City, celebrates the Princess with English teas served at some hotels.