Performance art on the edge
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WASHINGTON (Map, News) - Sex, lies, videotape, tea bags. ... If you crave scenes non-Shakespearean in nature, check out what local artists have brewed up for Meat Market’s Performance Week.

Starting last Wednesday, the fresh-facaded Dupont Circle gallery hosts a week of edgy happenings. Performances take place 5 to 7 p.m. with a few noted exceptions.

The showcase kicked off Wednesday with “Moving Pictures,” a mix of postmodern and minimalist paintings by Richard Siegman, and “Statis,” J.J. McCracken’s ceramics-driven exposé on our packaged consumerist lifestyle.

Thursday, Charlotte Andrew used her “Travel Bag” to show tea’s power as a social lubricant. Working feverishly on her set piece, the artist shared plans to draw viewers into conversation about “the contemporary nomadic lifestyle.” Well-acquainted with that lifestyle, the former nurse from New Zealand studied art in Belfast, Northern Ireland; London; and at the Corcoran.

That travel bag? It’s made “from all the canisters of tea that our family has consumed in the 2 1/2 years we have been here. It’s taking me so much longer to make.” She may be kidding or confiding.

Also on display: Raymonde van Santen’s installation of tea bags marked by their original owners with photos and written remembrances.

On Friday, brave souls peered through a hole in a white cube at Matt Ravenstahl as he explores the fine line between sexuality and violence. In the spirit of Marina Abramovic, the European artist who literally threw herself into her work, Ravenstahl used his body as the drawing tool.

Saturday’s noon matinee features “The Glass Age,” a reading by Guggenheim-winning Cole Swenson. At 5 p.m., Aaron Jackson unleashes a contemporary dance piece.

Sunday at noon, Mark Cameron Boyd directs two artists in a window-and-mirrors “question and answer” performance visible from the street. At 5 p.m., d’steel(e) drops poetics, followed at 7 p.m. by Breck Brunson’s found-object improv.

Monday, the YAY Team may discourage public displays of affection as they attempt to creep home in a body-lock.

Tuesday, David Williams gives “book-ish” a new meaning while graphically showing how research pervades art, and on Wednesday, David Page wraps up the week with suspense, physically engaged in a balancing act with metal and canvas sculptures.

Performance Week

Through Wednesday

» Venue: Meat Market Gallery, 1636 17th St. NW

» Tix: Free

» Info: 202-328-6328; www.meat

marketgallery.com


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11:33 AM MST on Tue., Jul. 15, 2008 re: "China’s vivid subconscious"

Examiner Reader said:
Where's the photo that's with this article in today's paper? I wanted to email it out with the article - ? (Why is there a map instead of the photo? Presumably, if you read the paper, you know where SF is - ?) Best -

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7:36 PM MST on Tue., Jun. 17, 2008 re: "SFMoMA gets up close with ‘Frida Kahlo’"

Examiner Reader said:
LOVE KAHLO! I saw on SFMOMA's website that they've actually extended their hours for this exhibition: until 9:45 p.m. on Thursdays, and 7:45 p.m. Saturdays and Sundays. I'm going this weekend, can't wait!

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10:01 PM MST on Mon., May. 26, 2008 re: "Legend made visible"

sean monohan said:
I thought this show of Beili Liu was fantastic in the truest sense. Thanks for the tip. I think it should get more attention. Sean Monohan

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1:24 PM MST on Mon., Mar. 31, 2008 re: "Art exhibit canned, debate called off"

Examiner Reader said:
In place of the exhibit, the San Francisco Art Institute should post a wall-full of the threatening mail it has received. The animal-killing exhibit sounds inexcusable, but violent threats are also inexcusable, and a display of them may make a similar point about humanity and inhumanity.

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7:51 PM MST on Thu., May. 3, 2007 re: "Puppy love"

emily de la cruz said:
thank u so much

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