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Article History SAN FRANCISCO (Map, News) - Tim Hockenberry, still near the beginning of his Monday night residency in the new Rrazz Room in San Francisco’s Nikko Hotel, is that rare kind of performer whose style is difficult to define — in a good way.
A singer, songwriter and multi-instrumentalist, Hockenberry has been known to appear in a cabaret setting, but his current show-tuneless act really doesn’t fit that bill.
On April 14, to an audience that included Bonnie Riatt and other hometown friends, the Mill Valley-based musician and his superb band — guitarist Gowain Matthews, bassist Terry Miller and drummer Vince Littleton — played a set that veered from ballads to folk to pop to jazz. Many of the tunes leaned on the sad side.
The first thing a listener thinks upon hearing him sing is Tom Waits. Hockenberry’s distinctive gruff vocal, sometimes punctuated by howling, is clearly reminiscent of Waits, or Joe Cocker. His tone gives each song an appealing urgency and depth, or a hard-to-resist shade of melancholy.
Yet his material, particularly his original tunes, is far from avant-garde. His melodic, keyboard-driven songs — “Back in Your Arms,” “The Time by Me,” “She Tried to Be,” “The One I Love” — could be sung by Barry Manilow, Neil Diamond, Michael McDonald or James Blunt.
In concert, they come off as effectively as covers of tunes by the likes of Bob Dylan (Hockenberry has made a CD titled “Mostly Dylan” with Tom Corwin) and Bruce Springsteen.
Hockenberry accompanied himself on electric piano for most of the show, although he picked up a trombone for a particularly cookin’ version of “Unchain My Heart” and a funky “Built for Comfort.”
Other insightful, emotional covers included the Beatles’ “Girl,” Dylan’s “Like a Rolling Stone,” Springsteen’s “Jersey Girl” and, not surprisingly, Waits’ “Closing Time” and “Heart of Saturday Night.”
Throughout the show, the mood was casual and relaxed, though heated. Hockenberry wiped his head with a towel between tunes and called out to pals in the crowd. Singer Phillip Claypool came to the stage for a number; Matthews, who also played mandolin, nicely got to show off his virtuosity on electric and acoustic guitar.
Hockenberry’s new recording, “Back in Your Arms” on About Records, is slated for release in June. If you’re a fan of thoughtful singer-songwriters, see this show, then look forward to picking it up.
IF YOU GO
Tim Hockenberry and Friends
Where: Rrazz Room, Hotel Nikko, 222 Mason St., San Francisco
When: 8 p.m. Mondays; closes June 16
Tickets: $25
Contact: (866) 468-3399 or www.therrazzroom.com
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Comments from Examiner Readers
10:48 PM MST on Wed., Jul. 2, 2008 re: "Ours’ songwriter has a new lease on life"
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10:45 PM MST on Sat., Jun. 14, 2008
re: "Cherished music fest in danger of having to seek out new digs"
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10:34 PM MST on Sat., Jun. 14, 2008
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12:08 PM MST on Fri., Jun. 13, 2008
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7:42 PM MST on Wed., Jun. 11, 2008
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6:19 PM MST on Mon., Jun. 2, 2008
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9:25 PM MST on Sat., Apr. 19, 2008
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12:17 PM MST on Mon., Apr. 14, 2008
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9:36 PM MST on Sat., Mar. 29, 2008
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4:39 PM MST on Wed., Mar. 26, 2008
re: "Big lineup set for S.F. summer music festival"
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10:39 AM MST on Wed., Mar. 19, 2008
re: "Come to the cabaret"
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Examiner Reader said:
"Could I save your life like you saved mine?" ... doesn't that refer to his own son? You actually quote him later saying "...the most selfish thing I could do, to leave my children..." This article could probably have used a bit more research.
1 agree | 1 disagree
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Examiner Reader said:
Camp Mather produced revenue of $1,490,000 in the 2001-2002 fiscal year. Campers paid fees totaling $1,352,000. Revenue from concessions included $16,000 from the general store and $1,000 from Mather Saddle. Camping fees were last raised in 1998. • The Strawberry Music Festival has used Camp Mather on the Memorial Day and Labor Day weekends for 20 years. RPD has extended its use through 2008. Strawberry Festival, Inc. paid RPD $121,000 for use of Camp Mather in the 2001- 2002 fiscal year. RPD staff members do not agree on whether use of Camp Mather by 5,000 persons over each weekend of this bluegrass festival has a negative environmental impact. • RPD anticipates that Camp Mather operating expenses, including facilities maintenance, will total $678,594 for the 2002-2003 fiscal year. The camp is projected to return revenue of $1,275,000 in the 2002-2003 fiscal year.
3 agree | 3 disagree
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Examiner Reader said:
The city has been neglecting Camp Mather for years and this increase in fees had better be accompanied by major improvements in the way they maintain this jewel of a camp. Parks & Recs own public financial statements from earlier this decade show total Camp Mather income of $1.6 million($125k from Strawberry, plus all the non-cash work). Out of this only $600k went back into Mather, the rest was siphoned off into The City's General Fund.
6 agree | 3 disagree
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Examiner Reader said:
I too have attended this festival since it's inception in 1982. This time, the Park & Rec dept. is cutting off its nose to spite its face. The rent increase will double the rent in five years time. They clearly want to "stick it" to the festival to off-set their new water treatment plant. The rent increases for the festival alone over the eighty year life of the plant total more money than the original cost of the plant. This is what some people would call: Rent Gouging ! Shame on You Parks & Rec. Dept.
4 agree | 3 disagree
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Examiner Reader said:
I have attended this festival since it started. It is truly a beautiful and well organized family event. The festival leaves Mather sparkling. My children have grown up there and now return as adults. Why that this is even an issue with the Parks and Rec people is beyond me. Hopefully in this time of budget cuts, a wonderful, treasured money maker for the city will be allowed to continue on with it's wonderful tradition. SF Park and Rec, Wake up!
11 agree | 3 disagree
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Examiner Reader said:
Regarding the article on the problems with the lease for the Strawberry Music Festival. If the rent was the only thing Strawberry brought to Mather that would be one thing, but they also clean the the camp grounds prior to the festival and after the festival the camp staff mentioned it is cleaner than at any time of the year. Yes in this time when State, County and City budgets are in a squeeze and in need of money nothing is going to replace the festival at Mather. I am a consultant for another music festival and when I read the the City would not be able to tender a contract until August I couldn't believe what I just read. No festival could allow that short of a lead time knowing they may not have a facility for the next year. Within a week or so after the festival you begin planing for the next one. I can't believe that since November the City has not been able to specify the "outstanding issues". Is this they way the conduct their business in all ways?
8 agree | 4 disagree
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Examiner Reader said:
ilove cher im not dissopointed with her at all;
3 agree | 3 disagree
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Heidy from Holland said:
I went to the Cher show and also saw her Farewall tour in Holland in 2002. I thought the 'opening' night was very dissapointing, her voice wasn't very good and a very stiff public, no dancing at all. I think after this show she should retire. Yes a legend but don't push it.
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Ian H said:
I can't wait to see these guys at the Greek on Saturday. "Living Well's the Best Revenge" is their best barn-burner since the Monster tour 13 years ago. And as a 20-year fan, I'm totally with Buck on the layering. Thanks for leading the charge on a great album, Peter!
4 agree | 4 disagree
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Music Lover said:
Cher is amazing...a true legend! She got the talent 4ever. Her Music & Show nobody can do, only her!
7 agree | 5 disagree
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Examiner Reader said:
Asia show at the Ballroom was fabulous. Steve was complete animated like I have never seen at a yes show. Carl Palmer, what can you say except assume? Did anyone buy the $30 wrist band of the Show? Wondering how it sounds.
6 agree | 6 disagree
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Examiner Reader said:
nice. we remember seeing the band in Dan's Bar and the G street pub in sacto and playing with other local bands trying to launch out of San Fran, and thriving ivory did it while others feel off the face of the earth. bravo.
11 agree | 9 disagree
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Examiner Reader said:
Was very disappointed with Nick Lowe. My new ex fav. Acoustic on stage with a mic for his warmup then with him. How about a band, some pub rock? It was like Donovan in a bad time warp. I remember when that bard used to rock and roll... sadly...
9 agree | 8 disagree
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Examiner Reader said:
Ray Davies' "Peace In Our Time" is about a troubled relationship, not about the end of the war. Please read the lyrics before writing your article. Rolling Stone made the same error. You'd think the media in San Francisco could learn to read before writing. Thank you.
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Examiner Reader said:
$215, plus fees, for such an ecclectic lineup? No thanks.
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Examiner Reader said:
Regarding "Come to the Cabaret" no mention has been made of how the new Razz Room intends to include local artist or even if they will be able to book the room as in the old days with the Plush Room. While it is nice to know that the "Big Names!" in Cabaret will have a place to play, it would be nice to know that the little man will still be considered. That's what was nice about The Plush. It did provide opportunity for local talent.
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Examiner Reader said:
Can't wait for this. Biffy Clyro are probably the best band on the planet at the moment.
10 agree | 9 disagree
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Examiner Reader 2 said:
Actually, spreading 'virally on the Internet' is how Ms. Gauthier seems to be getting her music heard these days. Being from Britain, of course, you don't fathom the sorry state of US radio. And it appears she wants nothing more than to share these multilingual versions of her song with listeners around the world, for free. Perhaps sparking some understanding, or at least a potential discussion, in the process. Aided, of course, by that malevolent Machiavellian device, the Internet. Does that sound like a self-centered 'celebrity' to you? We Yanks aren't as stupid as we look.
128 agree | 121 disagree
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Examiner Reader said:
I doubt that Mr.Lanham did anything more that reprint a press release, which will no doubt spread virally on the Internet and make money for Ms. Gauthier as "news." This is the problem with celebrity culture and the lack of a world view in the United States. To think that a song which stands to make the "artist" some money is going to stop the torture that is life in the Mideast is a grave disservice to the people suffering there. Celebrities are a simple-minded lot and Americans believe them. From UK visitor
166 agree | 140 disagree
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Examiner Reader said:
great band - great show!
275 agree | 307 disagree
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Examiner Reader said:
Huey was hot in the 80's, but now it's sort of sad to see that he's becoming, well, middle aged. I'm glad to see that he can still rock and roll even though it makes me feel old!
401 agree | 431 disagree
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Examiner Reader said:
I know this is a really third-rate rag and you're doing the best you can, but would it kill you to proofread a bit and spell the names of the people you quote correctly?
448 agree | 437 disagree
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"Weird" Michael said:
Good article! I always head that Al got his nick name "Weird Al" whilst attending university. deadairpodcast
854 agree | 551 disagree
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MCRGirl said:
Interesting.
583 agree | 528 disagree
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