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Granted, there were nearly 150 wines at this tasting and, at best, I tasted a random sampling of half. To narrow the field, I stayed away from wines I previously tasted and tried to avoid Piedmont — though the ’01 Marcellino Barolo Rionda was one of the highlights — and Tuscany, whose ’04 Vignamaggio Cabernet Franc was another highlight. Also, this type of setting, where one tastes mass quantities in a relatively short period of time, is not a very good way to evaluate wine. That said, I’ve been doing this long enough that I can say, “If it smells like oak and it taste like oak it must be oak.”
Oak is not a bad thing. It adds nuance, body and color and can help a wine age. A number of the wines that seemed too oaky now are going to be gorgeous in about 10 years when the wine is better integrated.
However, it seemed to me as if many of the wines were made not in a modern style, but in an international style that has come to mean lots of wood, overripe and over-extracted fruit and lots of alcohol. Experience has shown that these wines often don’t improve with age. I chatted with a friend Thursday night who imports Spanish wine, and he complained that the same thing is afflicting Spain. Sad, but true.
As I went through my notes Thursday to write in my blog, I noticed that even though my overall impression of the tasting was “eh,” there really were a good dozen or so that showed Italian wines at their zenith. Before going into this, I also want to say there are a lot of terrific wines made in Italy that were not represented at this tasting.
Here are my top Tre Bicchieri wines.
Di Majo Norante Contado, 2004 (Molise, Italy)
I’m cheating here because this wine was one of the numerous “Due Bicchieri” — “two glasses” awarded wines — that were also being poured. However, it was actually better than Norante’s Tre Bicchieri wine. Made from aglianico, it has dense, ripe fruit, yet there is a sense of dusty, mineral terroir with kirsch, roasted almonds and supple tannins. Suggested retail: $20
Brigaldara Amarone della Valpolicella Case Vecie, 2003 (Veneto, Italy)
Without fail, this Tre Bicchieri wine always comes through. Amarone, the best non-DOCG wine made in Italy, has its star producers who charge a whole lot of money, and while this DOC is never inexpensive, Brigaldara’s is worth it.
Stefano Cesare, whose family has been making wine in Veneto since 1928, straddles the more traditional style with the polished quality of modernity. With intense and, by nature of what it is, ripe cherry, brandied red fruits, bittersweet chocolate, spice and gripping tannins, it is still very young but tasty. Suggested retail: $80
Antichi Vigneti di Cantalupo, DOCG Ghemme Collis Breclemae, 2000 (Piedmont, Italy) When I mentioned above that I was trying to avoid Piedmont, I meant the Langhe, not northern Piedmont. This was the first wine I tried, and it set the bar pretty high. This family-run estate makes nebbiolos that are as much of a treat as the best from Barolo and Barbaresco. The 2000 vintage is the current release and it is not in any way at its prime, though it is drinkable. With licorice, a hint of tobacco and dried rose petal aromas, followed by dried red currant, sour cherry fruit and plenty of acidity, it is one of the most memorable wines I’ve tried from Piedmont in the last few years. Suggested retail: $45
Pamela S. Busch is the wine director and proprietor of CAV Wine Bar & Kitchen in San Francisco.



Comments from Examiner Readers
10:24 AM MST on Thu., Jul. 17, 2008 re: "Tasting Wine: Summer a fine time to crack open the bubbly"
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nancy orr said:
Prosecco is made in Italy not Burgundy. Thanks
3 agree | 1 disagree
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Ron Walter said:
I agree that the 4/21 response to my comment shows restaurant wine pricing isn't simple and is something I hadn't considered. While your example demonstrates a retail pricing problem, I don't see it as a good parallel to a restaurant's wine pricing - no restaurant carries 500 different types of wine with a 2000% difference in minimum and maximum price (if anyone has an $8 cheapo a 2000% difference would have a top price of $16,000 - not even a bottle of 45 Lafite). Also, I think the problem could be simpler when there is a cross the board price change for a significant amount of the merchandise - as there is when the $ devalues against the Euro - the problem described in the column. That said, I don't have an answer as to how to price wine. Still, it's grating to hear pricing explained the way Ms. Bush has explained it - there should be a fairer way. If I'm reacting this way, my guess is that it's turning off more diners than just me.
4 agree | 4 disagree
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Ron Walter said:
I agree that the 4/21 response to my comment shows restaurant wine pricing isn't simple and is something I hadn't considered. While your example demonstrates a retail pricing problem, I don't see it as a good parallel to a restaurant's wine pricing - no restaurant carries 500 different types of wine with a 2000% difference in minimum and maximum price (if anyone has an $8 cheapo a 2000% difference would have a top price of $16,000 - not even a bottle of 45 Lafite). Also, I think the problem could be simpler when there is a cross the board price change for a significant amount of the merchandise - as there is when the $ devalues against the Euro - the problem described in the column. That said, I don't have an answer as to how to price wine. Still, it's grating to hear pricing explained the way Ms. Bush has explained it - there should be a fairer way. If I'm reacting this way, my guess is that it's turning off more diners than just me.
5 agree | 3 disagree
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Examiner Reader said:
Regarding Ron Walters' comments on wine mark-ups: while this wholesale-times-2.5 seems illogical in your example, a broader look at retailing might help clarify. Say I sell 500 individual items in the course of a day in my shop, and they cost (wholesale, to me) between $.25 and $50 each. Now, say I know from creating my quarterly budgets that I need a 30% gross profit to cover all my costs -- purchases, labor, overhead, capital improvements. How long would I last if I marked each item up $5, regardless of cost? And I don't know what calculation would arrive at that $5 anyway. No, markup by percent is the only sensible way...and some restaurateurs do use a combination of (lower)percentage, and fixed add-on, to give increasing relative value to buyers of higher priced bottles.
6 agree | 5 disagree
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Examiner Reader said:
i have tried Monte dei Ragni Ripasso and their Amarone, after 1/2 an hour it was still on the palate....just outstanding. a real gem if you can find it...
10 agree | 6 disagree
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Examiner Reader said:
The best Ripasso i have tasted is "Fratelli Vogadori", it's very good wine. Very strong and better than other more know Ripasso
13 agree | 8 disagree
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Ron Walter said:
Dear Ms. Bush I'm stunned by the logic in 'Tasting Wine: The business of the wine business'. Why must the correspondent (wine buyer) always multiply the wholesale cost * 2.5 to arrive at the client's cost? A simple example: the wholesale cost rises by $3 for a wine currently priced in the restaurant at $50; the new price could be $53. I'd like to understand how that has affected the restaurant's bottom line? This seems logic seems similar to a real estate agent demanding a 6% commission when selling two houses - one for $300,000 and the other $3,000,000 - you should demand much more in the latter case or ask for a lower commission. Is your restaurant doing something special for the client with their additional $7.50 markup in the previous example?
8 agree | 13 disagree
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Examiner Reader said:
One would think the author, in an effort to retain her credibility, would check the spelling of the late Joe Swan's son-in-law. All through this article, his name is spelled incorrectly. It should be "Berglund." The author has, at least, included three wines in keeping with the theme of the article: wines of the Joseph Swan winery. ((Last week's article featured wines from France's Rhone Valley and, curiously, one was from the Joseph Swan winery in Sonoma!)) Why the author would review the same wine in back-to-back articles is a mystery. A professor of journalism would cite misspellings as diminishing the credibility of an article. Ms. Busch does so by, as she did last week, spelling "Vacqueyras" incorrectly. Interesting, the price of the "mystery red" is different in this week's article in comparison with last week's!
97 agree | 78 disagree
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Examiner Reader said:
The article regarding Tawny Ports mentions a lovely wine from the house of Ferreira, but "Duque" is spelled incorrectly. At least she got Dow spelled correctly (although the brand name on the label is "Dow's."
133 agree | 86 disagree
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Examiner Reader said:
Pamela Busch is marvelously enthusiastic as a wine-taster, but she's a poor writer and terribly sloppy in checking her work. This week's column regarding Rhone reds asserts that Syrah is the only grape grown in the northern Rhone Valley. Two sentences later readers are told that Northern Rhone Syrahs sometimes have white grapes in them! She claims to be "sticking" to Southern Rhones for the article and one wine comes from California's Sonoma County. Readers are advised to buy a wine from the Gramenon estate called "La Segasse," but the actual wine is "La Sagesse." Ms. Busch refers to an appellation in the Southern Rhone, misspelling the name "Vacqueyras." These little errors should not be made by a professional journalist. A course in writing would certainly be helpful in polishing her skills. Paying more attention to the details would also be a good idea.
69 agree | 79 disagree
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Examiner Reader said:
Dear Readers, I left a message hear yesterday. It was not deragatory and was written in proper English regarding the topic of the above article. One can only assume since my opinion was not the same as the author's that my comment has been deleted. While I truly do hope it is a computer glich, I find myself lowering my expectations after this happened. Best of luck to all of you on this website.
192 agree | 158 disagree
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Examiner Reader said:
Why go to Austria, Germany, and Spain for Pinot Noir? We have kick butt Pinot in our own backyard! There are so many beautifully produced wines from the Santa Lucia Highlands, Santa Rita Hills or Russian River. If anything tell this writer to find me more hidden secrets like Testarossa, Seasmoke (ok not so secret), and P&H.
155 agree | 137 disagree
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sue yu said:
vin rose is nothing, it's more of dinner wine that's light. i'm not sure if it was ever really popular. when you drink wine, you want to taste the bouquet, and certainly get a big punch out of it. drinking without the punchies is not worth it.
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